Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in continuous stress: the push for softer, more breathable prints that people actually take pleasure in using, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has formed how I select inks, pretreatments, and fabrics for custom clothing jobs. Over the years, I have actually learned that water based inks and discharge printing are not just buzzwords, they are useful tools that produce lovely results and genuine convenience, especially for T t-shirt printing that requires to stand up to everyday wear.
If you run a brand name, handle bulk t t-shirt orders, or just desire your tailored shirts to feel like a preferred from the very first wash, it deserves comprehending how these ink systems work, where they shine, and where they need care. The ideal choice can make the difference in between a t-shirt that gets worn as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and cures into a film, water based inks soak up into the fibers. That single particular describes most of the benefits and trade-offs. Prints feel soft since you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently identical from the t-shirt itself. For custom t t-shirts developed for comfort, this is the path to the "retail feel" clients ask for.
There are two main households: standard water based and discharge. Standard water based ink works best on white or extremely light t-shirts. It can cover mid-tones with the right base, once you move into darker fabrics, you either need a much heavier print or you switch to discharge. Release printing utilizes an activator that lifts the color from the material during treating, basically bleaching the shirt's dye in the printed areas, then replaces it with your pigment. The end result is the softest possible print on dark cotton, typically with outstanding detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks typically consist of fewer unstable natural substances than solvent-heavy alternatives and avoid PVC altogether. Lots of are certified with stringent standards like Oeko-Tex or meet retail testing regimes that prohibit particular phthalates and heavy metals. If you sell customized clothing into business wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You likewise need to take a look at shop practices: filtration on your washout booth, reclaim chemistry, energy usage on your clothes dryer, and even material sourcing. Discharge needs an activator, usually based on zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run store, exposure is managed and waste is recorded. If you're using print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Real sustainability conceals in the details.
Most people do not buy a graphic tee since they love the ink. They purchase it because the garment looks good, feels great, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, give you that broken-in convenience from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often receive from heavy plastisol when you extend across the chest.
I keep a rack of contrast t-shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under severe light, which some streetwear clients choose, but the user feedback corresponds: water based feels like a premium garment.
Color accuracy with water based inks refers control, humidity, and the material's own dye. On white or heather light t-shirts, basic water based ink can strike tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge adds variables. Various color lots discharge in a different way, even within the very same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the final color, however you're still dealing with a background that is shifting as the dye is removed.
That's not a flaw, it belongs to the medium. Lots of designers welcome the slightly vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand needs laser-precise color reproduction for corporate logo designs, either order test prints on the exact batch you plan to use or think about a water based underbase or hybrid technique where needed. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only lifts the cotton portion. That means your color saturates the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks intentional if you style for it. If your goal is flat, vivid color on a poly mix, standard plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents joints, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on custom apparel finished garments, anticipate small voids along joints, which some customers like as part of the garment's character.
Water based inks behave in a different way on press. They dry faster in the screen, which is useful on material but can lock a mesh if you stop briefly too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting service at hand, and keep the print room humidity in a stable range, approximately 45 to 55 percent, to prevent premature drying. Manual press operators will observe how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and constant rate, lower clogging.
Curing is where numerous novices fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with sufficient airflow makes the difference. You want even heat across the belt and adequate dwell to reach the manufacturer's cure temperature throughout the ink layer, not just at the surface. T-shirts exiting the tunnel must be dry to the touch without any cool areas. For discharge, the chemical reaction takes place throughout this treatment, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon correct remedy and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I measure toughness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and splitting. Water based prints reveal gradual softening and a mild fade in Minimum order quantity the same way jeans relaxes. Plastisol's failure mode is various, usually cracking if the ink layer is too thick or under-cured. For personalized t-shirts that require to look good at a household reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, but the economics fall into familiar patterns. Water based ink itself is often comparable to plastisol at the gallon level, however you invest more in store environment and drying capacity. On press, water based can be slightly slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. As soon as tuned, cars perform at similar speeds. Where it actually settles is in viewed worth. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art suits the medium, discharge on 100 percent cotton is a workhorse. For print as needed that needs over night turnaround and art changes continuously, direct-to-garment or DTF might be better operationally, though both have their own environmental and feel trade-offs. When you take on wholesale t shirts with numerous colorways and need to keep inventory versatile, a flexible water based scheme on light garments is efficient, because you prevent the weight and stiffness that collect with several underbases in plastisol.
Design preparation starts with the fabric color and ends with curing. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color glances through. A charcoal heather with a discharge cream graphic appear like it grew there.
direct to garment
Type weight matters. Very thin knockouts inside heavy flood areas can fill in with discharge, specifically on high-absorbency cotton. If you require razor negative space, separate the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment rather than relying on a digital mockup. A mockup can not capture fiber interaction and color lift.
There are times I recommend against discharge. Polyester-rich garments are top of the list. The activator can cause dye migration, especially with sublimated or cationic-dyed performance t-shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to minor smell throughout treating, discharge days in the store are obvious. Well-managed air flow mitigates this, however it belongs to the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles frequently sink, and the effect is more satin than real metal. For high-opacity neons on dark shirts that need to be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that removes guesswork. A basic technique keeps surprises at bay and helps you struck deadlines for launches and events.
Print as needed has its own restraints: fast art modifications, small batch sizes, and the need for a broad color gamut. Direct-to-garment has become the default, however water based screen printing can fit POD if you arrange catalog strategy. For styles that are high volume even at little day-to-day amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship same day with water based prints that feel much better than numerous DTG outputs. It works best when you keep art to a couple of colors and choose light garments.
If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Consumers who appreciate touch will notice.

When clients ask why a water based or discharge print costs more than a fundamental plastisol job, I describe what they are purchasing. They get the soft hand that retail consumers relate with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, frequently a little uplift that can be reduced the effects of by picking a slightly more cost-effective blank. If the program is for wholesale t t-shirts going into boutiques or e-commerce at premium cost points, the improvement in viewed worth more than covers the change.
For customized t-shirts, such as charity runs or college clubs, choices matter. Deal a base cost with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients optimize for expense, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it basic and sensible so the shirt survives reality. Water based and discharge prints choose cooler washes and lower dryer heat, but they will endure typical laundering if effectively treated. I recommend phrasing care tips in human terms on product pages: wash cold with similar colors, tumble dry low, prevent fabric conditioners if you desire colors to remain crisp. The last note matters since some conditioners can deposit movies on fibers, dulling the visual contrast of great lines.
I have actually evaluated these instructions in-house: two identical t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly much faster fading of mid-tones, yet still looked great. That tolerance comes from proper treatment, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Rather of battling joints, style for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and stitch. Brands that sell limited runs can validate cut-and-sew for 100 to 300 pieces if the design necessitates it. The completed garments read as custom from a range, which is the goal.
One spring we ran a series for a regional music festival. The client desired soft black tees with a sunburst print that seemed like it lived in the material. We tested on 3 blacks from two mills. Batch one lifted cleanly with discharge, batch 2 remained stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the response. The result: constant tees throughout 2,400 units, each with a soft, breathable print that offered out by day two.


That job taught the crew to treat discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink family. Under-curing is the very first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the needed temperature for the right duration. Utilize a donut probe or an ingrained thermochromic strip to measure real ink film temperature, not simply clothes dryer setpoints. Screen lockup is the second. Keep a consistent same-day embroidery pace on press, flood in between prints, and control store humidity.
A 3rd pitfall is neglecting material variability. If you switch blanks mid-run because a size is out of stock, you may see shifts in color. Build contingency into your getting. For brands preparing ahead, picking a basic blank and locking it with your supplier reduces surprises.
If your top priority is soft, breathable custom-made garments that consumers keep wearing, water based inks deserve the learning curve. Usage basic water based on light garments for tidy information and matte color. Move to discharge on one hundred percent cotton when you desire the softest prints on dark shirts. Accept and prepare for slight color variance with discharge, particularly throughout dye lots. For bulk t t-shirt orders, integrate in a single round of physical tasting on the actual blanks you will use, then record your settings and keep back a reference t-shirt for quality control.
If you operate a print as needed catalog, take a water based capsule of finest sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a consumer rubs their thumb throughout a print and feels absolutely nothing however fiber, you have actually won. That's the minute water based and discharge deliver, and why they are worthy of a location in any major shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515