Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in continuous tension: the push for softer, more breathable prints that people really enjoy using, and the requirement to produce at scale without compromising the environment or the bottom line. That stress has formed how I pick inks, pretreatments, and fabrics for custom-made garments jobs. Throughout the years, I have actually found out that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce stunning outcomes and real convenience, specifically for T shirt printing that needs to withstand everyday wear.
If you run a brand name, manage bulk t shirt orders, or merely desire your customized shirts to seem like a preferred from the very first wash, it's worth comprehending how these ink systems work, where they shine, and where they require care. The right option can make the difference in between a t-shirt that gets worn once and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a movie, water based inks soak up into the fibers. That single characteristic explains most of the benefits and compromises. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently equivalent from the shirt itself. For custom t t-shirts created for comfort, this is the course to the "retail feel" clients ask for.
There are 2 primary households: standard water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the best base, but once you move into darker fabrics, you either require a heavier print or you switch to release. Release printing uses an activator that lifts the color from the fabric throughout treating, basically bleaching the shirt's dye in the printed locations, then replaces it with your pigment. The end outcome is the softest possible print on dark cotton, typically with exceptional detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks generally contain fewer unstable organic substances than solvent-heavy options and avoid PVC completely. Many are compliant with stringent standards like Oeko-Tex or fulfill retail testing programs that prohibit certain phthalates and heavy metals. If you sell custom garments into business health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system idea. Ink is one part. You likewise require to take a look at shop practices: purification on your washout booth, recover chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge needs an activator, normally based upon zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run store, direct exposure is controlled and waste is caught. If you're using print on demand with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability hides in the details.
Most people do not purchase a graphic tee due to the fact that they love the ink. They buy it due to the fact that the garment looks excellent, feels great, and keeps that character after duplicated washing. Water based inks, consisting of discharge, provide you that broken-in comfort from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you in some cases obtain from heavy plastisol when you stretch throughout the chest.
I keep a shelf of contrast t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under extreme light, which some streetwear clients choose, however the wearer feedback is consistent: water based feels like a premium garment.
Color precision with water based inks refers control, humidity, and the material's own dye. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge adds variables. Different dye lots discharge in a different way, even within the same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the last color, but you're still working with a background that is moving as the dye is removed.
That's not a defect, it belongs to the medium. Numerous designers embrace the slightly classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color recreation for corporate logos, either order test prints on the specific batch you plan to utilize or consider a water based underbase or hybrid approach where required. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge just lifts the cotton part. That indicates your color saturates the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks intentional if you design for it. If your objective is flat, brilliant color on a poly blend, conventional plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces seams, folds, and irregular pressure that appear as blank micro-gaps. If you must print on completed garments, anticipate small spaces along joints, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry quicker in the screen, which works on material but can lock a mesh if you pause too long. Running a greater mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting service at hand, and keep the print room humidity in a stable variety, roughly 45 to 55 percent, to prevent early drying. Manual press operators will notice how quickly a standard water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and consistent pace, minimize clogging.
Curing is where numerous newbies fizzle. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with adequate air flow makes the distinction. You want even heat throughout the belt and sufficient dwell to reach the manufacturer's treatment temperature level throughout the ink layer, not just at the surface. Shirts leaving the tunnel must be dry to the touch without any cool areas. For discharge, the chemical reaction happens throughout this treatment, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on appropriate treatment and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I measure toughness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual inspection for fading and breaking. Water based prints reveal steady softening and a mild fade in the exact same way denim unwinds. Plastisol's failure mode is various, generally breaking if the ink layer is too thick or under-cured. For customized shirts that require to look proficient at a family reunion and still be in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, however the economics fall under familiar patterns. Water based ink itself is frequently similar to plastisol at the gallon level, however you invest more in shop environment and drying capacity. On press, water based can be slightly slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, cars perform at similar speeds. Where it actually settles remains in viewed value. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print as needed that requires over night turn-around and art modifications constantly, direct-to-garment or DTF might be better operationally, though both have their own environmental and feel compromises. When you take on wholesale t t-shirts with several colorways and need to keep inventory versatile, a versatile water based combination on light garments is efficient, considering that you prevent the weight and tightness that collect with several underbases in plastisol.
Design planning begins with the material color and ends with treating. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color looks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood areas can complete with discharge, particularly on high-absorbency cotton. If you need razor negative space, separate the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment instead of trusting a digital mockup. A mockup can not catch fiber interaction and dye lift.
There are times I advise versus discharge. Polyester-rich garments are top of the list. The activator can cause dye migration, particularly with sublimated or cationic-dyed performance t-shirts, causing ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to small odor during treating, discharge days in the shop are visible. Well-managed airflow mitigates this, but it is part of the process.
If a client requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles often sink, and the impact is more satin than real metal. For high-opacity neons on dark t-shirts that should be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that eliminates uncertainty. A basic approach keeps surprises at bay and assists you struck deadlines for launches and events.
Print on demand has its own constraints: fast art modifications, little batch sizes, and the requirement for a broad color range. Direct-to-garment has ended up being the default, but water based screen printing can fit POD if you organize brochure strategy. For designs that are high volume even at little everyday quantities, pre-burning screens and keeping a small stock of popular sizes lets you deliver very same day with water based prints that feel better than numerous DTG outputs. It works best when you keep art to a couple of colors and choose light garments.
If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a fundamental plastisol job, I describe what they are purchasing. They get the soft hand that retail customers correspond with quality, improved breathability, and compliance for sensitive buyers. On a per-shirt basis, the distinction for a standard three-color front hit may be modest, typically a small uplift that can be neutralized by selecting a slightly more affordable blank. If the program is for wholesale t t-shirts going into stores or e-commerce at superior price points, the improvement in viewed worth more than covers the change.
For customized shirts, such as charity runs or college clubs, alternatives matter. Deal a base price Embroidery near me with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it easy and sensible so the shirt makes it through reality. Water based and discharge prints choose cooler washes and lower clothes dryer heat, but they will endure typical laundering if appropriately treated. I suggest phrasing care suggestions in human terms on item pages: wash cold with similar colors, topple dry low, prevent fabric conditioners if you want colors to stay crisp. The last note matters due to the fact that some softeners can transfer films on fibers, dulling the visual contrast of fine lines.
I've checked these directions in-house: 2 similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed somewhat faster fading of mid-tones, yet still looked good. That tolerance comes from proper cure, not from babying the garment.
All over print captures attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Instead of battling joints, design for them. Use tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and stitch. Brand names that offer restricted runs can justify cut-and-sew for 100 to 300 pieces if the design requires it. The ended up garments read as custom from a range, which is the goal.
One spring we ran a series for a local music celebration. The customer wanted soft black tees with a sunburst print that seemed like it lived in the fabric. We sampled on three blacks from two mills. Batch one raised cleanly with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the reaction. The result: constant tees throughout 2,400 systems, each with a soft, breathable print that sold out by day two.
That job taught the crew to treat discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink family. Under-curing is the very first culprit. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temperature for the ideal period. Use a donut probe or an ingrained thermochromic strip to measure real ink movie temperature, not simply clothes dryer setpoints. Screen lockup is the 2nd. Keep a constant pace on press, flood in between prints, and control shop humidity.
A third mistake is ignoring fabric variability. If you switch blanks mid-run due to the fact that a size runs out stock, you may see shifts in color. Develop contingency into your buying. For brand names planning ahead, selecting a basic blank and locking it with your provider reduces surprises.
If your concern is soft, breathable custom garments that customers keep using, water based inks deserve the knowing curve. Usage standard water based upon light garments for clean information and matte color. Move to discharge on one hundred percent cotton when you want the softest prints on dark t-shirts. Accept and plan for slight color variation with discharge, particularly throughout color lots. For bulk t t-shirt orders, build in a single round of physical sampling on the real blanks you will utilize, then record your settings and keep back a recommendation t-shirt for quality control.
If you operate a print on demand brochure, take a water based pill of finest sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized impacts and neon T shirt printing stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not simply on screens. When a consumer rubs their thumb across a print and feels nothing but fiber, you've won. That's the minute water based and discharge deliver, and why they should have a location in any major store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515