Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in consistent tension: the push for softer, more breathable prints that people really take pleasure in wearing, and the need to produce at scale without compromising the environment or the bottom line. That stress has actually shaped how I pick inks, pretreatments, and materials for custom-made garments jobs. For many years, I have actually discovered that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce stunning results and real comfort, particularly for T t-shirt jacket embroidery printing that requires to withstand daily wear.
If you run a brand, handle bulk t t-shirt orders, or merely desire your customized shirts to seem like a preferred from the first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. The ideal choice can make the distinction between a shirt that gets used when and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and treatments into a movie, water based inks absorb into the fibers. That single particular explains the majority of the advantages and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often indistinguishable from the shirt itself. For custom t t-shirts created for convenience, this is the course to the "retail feel" customers ask for.
There are two main households: basic water based and discharge. Standard water based ink works best on white or really light shirts. It can cover mid-tones with the best base, once you move into darker fabrics, you either require a much heavier print or you change to release. Release printing uses an activator that raises the dye from the fabric during curing, essentially whitening the shirt's dye in the printed locations, then replaces it with your pigment. The end outcome is the softest possible print on dark cotton, frequently with outstanding detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks typically include less unpredictable natural substances than solvent-heavy alternatives and avoid PVC entirely. Lots of are compliant with rigorous standards like Oeko-Tex or meet retail screening routines that prohibit certain phthalates and heavy metals. If you offer custom-made clothing into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You also require to take a look at store practices: filtration on your washout cubicle, recover chemistry, energy use on your dryer, and even material sourcing. Discharge requires an activator, typically based on zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run store, direct exposure is controlled and waste is captured. If you're using print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls called in. Genuine sustainability hides in the details.
Most people do not purchase a graphic tee due to the fact that they love the ink. They purchase it due to the fact that the garment looks good, feels good, and keeps that character after duplicated washing. Water based inks, including discharge, give you that broken-in comfort from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you in some cases get from heavy plastisol when you stretch across the chest.
I keep a rack of comparison t-shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed a little, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under harsh light, which some streetwear clients choose, but the wearer feedback corresponds: water based seems like a premium garment.
Color accuracy with water based inks refers control, humidity, and the material's own dye. On white or heather light shirts, basic water based ink can strike tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge adds variables. Various color lots discharge differently, even within the very same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the final color, however you're still dealing with a background that is moving as the color is removed.
That's not a flaw, it becomes part of the medium. Many designers accept the somewhat vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name demands laser-precise color recreation for business logo designs, either order test prints on the precise batch you plan to utilize or consider a water based underbase or hybrid method where required. For wholesale t shirts that will be distributed nationally, put swatch approvals into your procedure so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge only lifts the cotton part. That indicates your color fills the cotton while the polyester and rayon remain as-is, often yielding a heathered or speckled print that looks deliberate if you design for it. If your objective is flat, vivid color on a poly blend, conventional plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents joints, folds, and irregular pressure that show up as blank micro-gaps. If you need to print on completed garments, expect little spaces along seams, which some customers like as part of the garment's character.
Water based inks behave differently on press. They dry much faster in the screen, which is useful on fabric however can lock a mesh if you pause too long. Running a greater mesh for information, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted DTG artwork requirements screen rewetting service at hand, and keep the print space humidity in a consistent range, roughly 45 to 55 percent, to avoid early drying. Manual press operators will discover how quickly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and constant speed, reduce clogging.
Curing is where many novices miss the mark. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with sufficient air flow makes the difference. You want even heat throughout the belt and adequate dwell to reach the manufacturer's remedy temperature level throughout the ink layer, not just at the surface. T-shirts exiting the tunnel must be dry to the touch with no cool spots. For discharge, the chemical reaction occurs during this treatment, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends upon correct treatment and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual inspection for fading and breaking. Water based prints show steady softening and a mild fade in the exact same way denim relaxes. Plastisol's failure mode is various, usually splitting if the ink layer is too thick or under-cured. For individualized shirts that need to look good at a family reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, but the economics fall into familiar patterns. Water based ink itself is frequently equivalent to plastisol at the gallon level, but you invest more in shop environment and drying capability. On press, water based can be slightly slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, automobiles perform at similar speeds. Where it actually settles is in viewed worth. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print as needed that requires overnight turn-around and art modifications continuously, direct-to-garment or DTF may be better operationally, though both have their own environmental and feel compromises. When you handle wholesale t shirts with several colorways and should keep stock flexible, a versatile water based scheme on light garments is efficient, considering that you avoid the weight and stiffness that collect with several underbases in plastisol.
Design planning begins with the fabric color and ends with curing. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color glimpses through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can complete with discharge, especially on high-absorbency cotton. If you need razor unfavorable area, different the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of trusting a digital mockup. A mockup can not record fiber interaction and dye lift.
There are times I recommend versus discharge. Polyester-rich garments are leading of the list. The activator can trigger color migration, specifically with sublimated or cationic-dyed performance t-shirts, causing ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to minor smell throughout curing, discharge days in the store are obvious. Well-managed air flow mitigates this, however it becomes part of the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles often sink, and the impact is more satin than true metal. For high-opacity neons on dark t-shirts that should be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that removes uncertainty. A basic approach keeps surprises at bay and assists you hit deadlines for launches and events.
Print as needed has its own restrictions: fast art modifications, small batch sizes, and the requirement for a broad color range. Direct-to-garment has ended up being the default, however water based screen printing can fit POD if you organize brochure method. For promotional products designs that are high volume even at little day-to-day amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship same day with water based prints that feel better than lots of DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.
If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Consumers who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol task, I describe what they are buying. They get the soft hand that retail customers equate with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the distinction for a basic three-color front hit might be modest, typically a small uplift that can be neutralized by selecting a somewhat more cost-effective blank. If the program is for wholesale t shirts going into shops or e-commerce at superior rate points, the enhancement in perceived worth more than covers the change.
For customized t-shirts, such as charity runs or college clubs, choices matter. Offer a base price with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it easy and realistic so the t-shirt makes it through real life. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will sustain regular laundering if properly treated. I suggest phrasing care suggestions in human terms on product pages: wash cold with comparable colors, tumble dry low, prevent material conditioners if you desire colors to stay crisp. The last note matters due to the fact that some conditioners can deposit films on fibers, dulling the visual contrast of great lines.
I have actually tested these directions in-house: two similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat quicker fading of mid-tones, yet still looked good. That tolerance originates from proper remedy, not from babying the garment.
All over print catches attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Instead of fighting seams, design for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and stitch. Brands that sell limited runs can justify cut-and-sew for 100 to 300 pieces if the design warrants it. The finished garments check out as customized from a distance, which is the goal.
One spring we ran a series for a local music celebration. The customer wanted soft black tees with a sunburst print that felt like it resided in the material. We tested on three blacks from 2 mills. Batch one raised cleanly with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the response. The result: consistent tees across 2,400 systems, each with a soft, breathable print that sold out by day two.
That task taught the team to deal with discharge like cooking, not chemistry on a chalkboard. The dish matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temp for the best period. Utilize a donut probe or an ingrained thermochromic strip to determine real ink film temperature, not just dryer setpoints. Screen lockup is the 2nd. Keep a consistent pace on press, flood between prints, and control store humidity.
A 3rd mistake is ignoring material irregularity. If you change blanks mid-run due to the fact that a size is out of stock, you might see shifts in color. Develop contingency into your getting. For brands preparing ahead, selecting a standard blank and locking it with your provider minimizes surprises.
If your top priority is soft, breathable custom garments that customers keep wearing, water based inks are worth the learning curve. Use standard water based on light garments for tidy information and matte color. Transfer to release on one hundred percent cotton when you desire the softest prints on dark shirts. Accept and plan for slight color variation with discharge, particularly across color lots. For bulk t t-shirt orders, integrate in a single round of physical sampling on the actual blanks you will use, then document your settings and keep back a reference shirt for quality control.
If you run a print as needed catalog, take a water based pill of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts polyester DTG compatibility are judged in the hands, not simply on screens. When a client rubs their thumb throughout a print and feels absolutely nothing however fiber, you have actually won. That's the moment water based and discharge provide, and why they deserve a place in any major store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515