Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in consistent tension: the push for softer, more breathable prints that people actually take pleasure in wearing, and the requirement to produce at scale without compromising the environment or the bottom line. That stress has shaped how I select inks, pretreatments, and materials for customized clothing projects. Throughout the years, I've discovered that water based inks and discharge printing are not just buzzwords, they are practical tools that produce beautiful results and genuine convenience, specifically for T t-shirt printing that needs to withstand everyday wear.
If you run a brand name, handle bulk t t-shirt orders, or merely desire your customized t-shirts to feel like a favorite from the first wash, it's worth understanding how these ink systems work, where they shine, and where they require care. The right option can make the distinction in between a shirt that gets used as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a film, water based inks soak up into the fibers. That single characteristic explains most of the benefits and trade-offs. Prints feel soft because you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically identical from the shirt itself. For custom t t-shirts designed for comfort, this is the path to the "retail feel" customers ask for.
There are 2 primary households: basic water based and discharge. Basic water based ink works best on white or extremely light t-shirts. It can cover mid-tones with the ideal base, once you move into darker fabrics, you either require a heavier print or you change to discharge. Release printing utilizes an activator that raises the color from the fabric throughout curing, basically bleaching the shirt's color in the printed locations, then replaces it with your pigment. The end outcome is the softest possible print on dark cotton, typically with exceptional detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks generally include fewer unstable natural compounds than solvent-heavy alternatives and prevent PVC entirely. Lots of are compliant with rigorous requirements like Oeko-Tex or fulfill retail testing regimes that prohibit specific phthalates and heavy metals. If you sell custom apparel into corporate wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You also require to look at shop practices: filtering on your washout cubicle, recover chemistry, energy use on your dryer, and even fabric sourcing. Discharge needs an activator, generally based on zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation needs. In a well-run shop, exposure is controlled and waste is recorded. If you're using print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls called in. Real sustainability conceals in the details.
Most people do not purchase a graphic tee since they like the ink. They buy it due to the fact that the garment looks great, feels great, and keeps that character after repeated cleaning. Water based inks, including discharge, provide you that broken-in comfort from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you often get from heavy plastisol when you stretch throughout the chest.
I keep a shelf of comparison shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under harsh light, which some streetwear clients choose, however the user feedback is consistent: water based feels like a premium garment.
Color accuracy with water based inks refers control, humidity, and the material's own color. On white or heather light shirts, basic water based ink can hit tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge adds variables. Various dye lots discharge differently, even within the same brand and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the final color, but you're still dealing with a background that is moving as the dye is removed.
That's not a flaw, it belongs to the medium. Numerous designers embrace the somewhat vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color recreation for corporate logo designs, either order test prints on the exact batch you plan to use or think about a water based underbase or hybrid technique where needed. For wholesale t shirts that will be distributed nationally, put swatch approvals into your process so there are no surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge only lifts the cotton part. That implies your color saturates the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks intentional if you design for it. If your goal is flat, vibrant color on a poly blend, standard plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees introduces joints, folds, and inconsistent pressure that show up as blank micro-gaps. If you should print on finished garments, expect small voids along joints, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry quicker in the screen, which is useful on material but can lock a mesh if you stop briefly too long. Running a greater mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting option at hand, and keep the print space humidity in a stable range, roughly 45 to 55 percent, to avoid early drying. Manual press operators will discover how quickly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and consistent speed, lower clogging.
Curing is where lots of newbies miss the mark. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with adequate airflow makes the distinction. You want even heat across the belt and sufficient dwell to reach the producer's remedy temperature throughout the ink layer, not simply at the surface area. T-shirts leaving the tunnel ought to be dry to the touch without any cool spots. For discharge, the chemical reaction occurs throughout this remedy, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends upon proper cure and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I measure durability by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual evaluation for fading and cracking. Water based prints show progressive softening and a gentle fade in the very same way jeans unwinds. Plastisol's failure mode is different, generally splitting if the ink layer is too thick or under-cured. For tailored shirts that need to look proficient at a family reunion and still be in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is often equivalent to plastisol at the gallon level, but you invest more in shop environment and drying capacity. On press, water based can be a little slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. As soon as tuned, autos perform at comparable speeds. Where it really settles remains in viewed value. A soft print on a mid-tier blank typically feels premium without leaping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print as needed that requires overnight turn-around and art changes constantly, direct-to-garment or DTF may be better operationally, though both have their own environmental and feel trade-offs. When you handle wholesale t shirts with multiple colorways and need to keep inventory versatile, a versatile water based palette on light garments is efficient, since you avoid the weight and tightness that accumulate with several underbases in plastisol.
Design planning begins with the fabric color and ends with curing. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood areas can complete with discharge, especially on high-absorbency cotton. If you require razor unfavorable space, different the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment rather than trusting a digital mockup. A mockup can not record fiber interplay and dye lift.
There are times I recommend against discharge. Polyester-rich garments are leading of the list. The activator can trigger dye migration, particularly with sublimated or cationic-dyed performance t-shirts, leading to ghosting or brownish casts. Some garment dyes, specifically reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to small smell during curing, discharge days in the store are visible. Well-managed airflow reduces this, but it is part of the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles frequently sink, and the impact is more satin than real metal. For high-opacity neons on dark shirts that must be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, established a workflow that removes guesswork. A simple method keeps surprises at bay and assists you hit deadlines for launches and events.
Print on demand has its own restraints: fast art changes, little batch sizes, and the need for a broad color range. Direct-to-garment has ended up being the default, however water based screen printing can fit POD if you organize brochure strategy. For designs that are high volume even at little daily amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver very same day with water based prints that feel better than many DTG outputs. It works finest when you keep art to a couple of colors and select light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Consumers who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol job, I describe what they are purchasing. They get the soft hand that retail consumers relate with quality, improved breathability, and compliance for delicate buyers. On a per-shirt basis, the distinction for a basic three-color front hit may be modest, typically a small uplift that can be reduced the effects of by choosing a slightly more economical blank. If the program is for wholesale t t-shirts entering into stores or e-commerce at superior price points, the improvement in perceived worth more than covers the change.
For personalized shirts, such as charity runs or college clubs, alternatives matter. Deal a base rate with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients enhance for cost, others for feel. Satisfying both lets you serve a broader market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it easy and realistic so the t-shirt makes it through reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, however they will withstand typical laundering if properly treated. I recommend phrasing care suggestions in human terms on item pages: wash cold with similar colors, tumble dry low, prevent fabric conditioners if you want colors to remain crisp. The last note matters because some conditioners can deposit films on fibers, dulling the visual contrast of fine lines.
I have actually tested these directions in-house: two similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little much faster fading of mid-tones, yet still looked great. That tolerance originates from right cure, not from babying the garment.
All over print catches attention, but printing flood coats on put together garments with water based inks can be unforgiving. Rather of battling joints, design for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when Exposure unit it breaks at hems. Alternatively, run panel printing and stitch. Brands that offer restricted runs can validate cut-and-sew for 100 to 300 pieces if the design warrants it. The completed garments read as customized from a range, which is the goal.
One spring we ran a series for a regional music celebration. The client wanted soft black tees with a sunburst print that seemed like it resided in the fabric. We sampled on three blacks from 2 mills. Batch one raised cleanly with discharge, batch two stayed stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the reaction. The result: constant tees throughout 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a blackboard. The dish matters, however so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink household. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the required temperature for the right duration. Use a donut probe or an embedded thermochromic strip to measure true ink film temperature, not just dryer setpoints. Screen lockup is the 2nd. Keep a consistent speed on press, flood in between prints, and control shop humidity.
A third pitfall is disregarding material irregularity. If you switch blanks mid-run since a size runs out stock, you might see shifts in color. Construct contingency into your getting. For brand names planning ahead, picking a standard blank and locking it with your supplier reduces surprises.
If your top priority is soft, breathable customized garments that consumers keep wearing, water based inks deserve the knowing curve. Usage standard water based upon light garments for tidy information and matte color. Move to discharge on 100 percent cotton when you want the softest prints on dark shirts. Accept and prepare for slight color variation with discharge, particularly across dye lots. For bulk t shirt orders, integrate in a single round of physical sampling on the real blanks you will utilize, then record your settings and hold back a referral t-shirt for quality control.
If you operate a print as needed catalog, carve out a water based capsule of best sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not simply on screens. When a customer rubs their thumb throughout a print and feels nothing but fiber, you've won. That's the moment water based and discharge provide, and why they are worthy of a location in any severe store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515