Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in continuous tension: the push for softer, more breathable prints that people really take pleasure in wearing, and the need to produce at scale without jeopardizing the environment or the bottom line. That stress has formed how I choose inks, pretreatments, and fabrics for customized garments jobs. For many years, I've discovered that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce stunning outcomes and real comfort, specifically for T shirt printing that needs to withstand daily wear.
If you run a brand name, manage bulk t shirt orders, or simply desire your tailored t-shirts to feel like a preferred from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The ideal choice can make the difference in between a t-shirt that gets worn as soon as and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and cures into a film, water based inks take in into the fibers. That single particular describes the majority of the benefits and compromises. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically indistinguishable from the shirt itself. For customized t shirts developed for comfort, this is the course to the "retail feel" customers ask for.
There are 2 primary households: basic water based and discharge. Standard water based ink works best on white or really light shirts. It can cover mid-tones with the best base, once you move into darker materials, you either need a much heavier print or you switch to discharge. Release printing utilizes an activator that raises the color from the material during curing, essentially whitening the t-shirt's color in the printed areas, then replaces it with your pigment. The end result is the softest possible print on dark cotton, frequently with impressive detail.
Underbase whiteEco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks generally consist of fewer unpredictable natural substances than solvent-heavy options and avoid PVC altogether. Lots of are certified with strict requirements like Oeko-Tex or meet retail testing routines that prohibit specific phthalates and heavy metals. If you sell customized apparel into business wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system idea. Ink is one part. You also need to look at store practices: purification on your washout cubicle, recover chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge requires an activator, generally based upon zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation needs. In a well-run store, exposure is managed and waste is recorded. If you're utilizing print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls called in. Genuine sustainability hides in the details.
Most people do not buy a graphic tee due to the fact that they enjoy the ink. They buy it because the garment looks excellent, feels good, and keeps that character after repeated cleaning. Water based inks, including discharge, offer you that broken-in convenience from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you sometimes receive from heavy plastisol when you extend throughout the chest.
I keep a rack of contrast shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under severe light, which some streetwear customers prefer, but the wearer feedback is consistent: water based seems like a premium garment.
Color accuracy with water based inks refers control, humidity, and the material's own color. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge includes variables. Different dye lots discharge differently, even within the exact same brand and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the last color, but you're still working with a background that is shifting as the color is removed.
That's not a flaw, it belongs to the medium. Many designers accept the somewhat classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name needs laser-precise color reproduction for business logo designs, either order test prints on the exact batch you prepare to utilize or think about a water based underbase or hybrid method where needed. For wholesale t shirts that will be dispersed nationally, put example approvals into your process so there are no surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only lifts the cotton portion. That indicates your color saturates the cotton while the polyester and rayon remain as-is, often yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, brilliant color on a poly blend, conventional plastisol or a specialized low-cure system might be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents joints, folds, and inconsistent pressure that show up as blank micro-gaps. If you should print on completed garments, expect little spaces along seams, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry much faster in the screen, which works on material but can lock a mesh if you stop briefly too long. Running a higher mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print room humidity in a constant variety, approximately 45 to 55 percent, to avoid early drying. Manual press operators will observe how quickly a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent pace, reduce clogging.
Curing is where numerous novices fizzle. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with adequate airflow makes the difference. You want even heat throughout the belt and enough dwell to reach the manufacturer's treatment temperature level throughout the ink layer, not simply at the surface area. T-shirts exiting the tunnel should be dry to the touch with no cool spots. For discharge, the chain reaction takes place during this cure, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends upon proper remedy and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I measure sturdiness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual assessment for fading and splitting. Water based prints show progressive softening and a gentle fade in the exact same way jeans relaxes. Plastisol's failure mode is different, typically cracking if the ink layer is too thick or under-cured. For customized t-shirts that need to look proficient at a family reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is frequently similar to plastisol at the gallon level, however you invest more in store environment and drying capacity. On press, water based can be somewhat slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, automobiles run at comparable speeds. Where it really pays off remains in viewed value. A soft print on a mid-tier blank typically feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.

For bulk t shirt orders above a few hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs overnight turnaround and art modifications constantly, direct-to-garment or DTF might be better operationally, though both have their own ecological and feel compromises. When you handle wholesale t shirts with several colorways and should keep stock versatile, a versatile water based palette on light garments is efficient, because you prevent the weight and tightness that accumulate with several underbases in plastisol.
Design planning starts with the fabric color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can complete with discharge, specifically on high-absorbency cotton. If you require razor unfavorable area, separate the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment instead of relying on a digital mockup. A mockup can not record fiber interaction and dye lift.
There are times I recommend versus discharge. Polyester-rich garments are leading of the list. The activator can cause dye migration, especially with sublimated or cationic-dyed efficiency shirts, resulting in ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to small odor throughout treating, discharge days in the shop are obvious. Well-managed air flow alleviates this, however it is part of the process.
If a customer requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles typically sink, and the impact is more satin than true metal. For high-opacity neons on dark shirts that must be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, established a workflow that removes guesswork. A simple method keeps surprises at bay and assists you struck deadlines for launches and events.
Print as needed has its own restrictions: quick art modifications, small batch sizes, and the need for a broad color range. Direct-to-garment has become the default, however water based screen printing can fit POD if you arrange brochure method. For designs that are high volume even at small everyday quantities, pre-burning screens and keeping a small stock of popular sizes lets you deliver exact same day with water based prints that feel much better than many DTG outputs. It works best when you keep art to one or two colors and choose light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Clients who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol task, I discuss what they are purchasing. They get the soft hand that retail customers equate with quality, improved breathability, and compliance for sensitive purchasers. On a per-shirt basis, the distinction for a standard three-color front hit may be modest, often a little uplift that can be reduced the effects of by selecting a slightly more cost-effective blank. If the program is for wholesale t t-shirts going into boutiques or e-commerce at superior rate points, the improvement in viewed value more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, choices matter. Offer a base rate with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients enhance for cost, others for feel. Meeting both lets you serve a larger market without diluting your craft.

Care labels frequently read like legal disclaimers. Keep it basic and realistic so the t-shirt makes it through real life. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, however they will withstand normal laundering if effectively cured. I suggest phrasing care suggestions in human terms on product pages: wash cold with similar colors, tumble dry low, avoid fabric softeners if you want colors to stay crisp. The last note matters since some softeners can transfer films on fibers, dulling the visual contrast of fine lines.
I have actually evaluated these directions in-house: two similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little quicker fading of mid-tones, yet still looked excellent. That tolerance originates from right treatment, not from babying the garment.
All over print catches attention, but printing flood coats on put together garments with water based inks can be unforgiving. Rather of combating seams, style for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and stitch. Brands that sell limited runs can justify cut-and-sew for 100 to 300 pieces if the style warrants it. The ended up garments read as custom from a distance, which is the goal.

One spring we ran a series for a local music celebration. The client desired soft black tees with a sunburst print that felt like it lived in the material. We sampled on three blacks from two mills. Batch one lifted easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the response. The outcome: consistent tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the crew to treat discharge like cooking, not Screen reclaiming chemistry on a chalkboard. The dish matters, however so does tasting and adjusting.
Most problems I see trace back to process, not the ink family. Under-curing is the first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temp for the best period. Use a donut probe or an embedded thermochromic strip to determine true ink film temperature, not simply clothes dryer setpoints. Screen lockup is the second. Keep a consistent pace on press, flood between prints, and control shop humidity.
A 3rd pitfall is ignoring fabric irregularity. If you change blanks mid-run since a size runs out stock, you might see shifts in color. Develop contingency into your purchasing. For brand names preparing ahead, selecting a basic blank and locking it with your provider lowers surprises.
If your priority is soft, breathable customized garments that customers keep using, water based inks are worth the learning curve. Use basic water based on light garments for tidy information and matte color. Transfer to discharge on 100 percent cotton when you desire the softest prints on dark t-shirts. Accept and plan for small color difference with discharge, particularly across color lots. For bulk t t-shirt orders, build in a single round of physical tasting on the real blanks you will utilize, then document your settings and keep back a referral t-shirt for quality control.
If you run a print on demand catalog, take a water based pill of finest sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol or hybrid systems where they belong.
minimum order quantityCustom t t-shirts are judged in the hands, not just on screens. When a client rubs their thumb throughout a print and feels nothing but fiber, you've won. That's the moment water based and discharge deliver, and why they deserve a location in any major store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515