Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in consistent stress: the push for softer, more breathable prints that people really enjoy wearing, and the need to produce at scale without compromising the environment or the bottom line. That tension has shaped how I choose inks, pretreatments, and materials for custom garments projects. Throughout the years, I've learned that water based inks and discharge printing are not just buzzwords, they are practical tools that produce gorgeous results and genuine comfort, specifically for T shirt printing that needs to stand up to everyday wear.
If you run a brand name, handle bulk t shirt orders, or simply desire your customized t-shirts to feel like a preferred from the first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The ideal choice can make the distinction between a t-shirt that gets worn as soon as and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and treatments into a film, water based inks take in into the fibers. That single particular discusses the majority of the benefits and compromises. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically equivalent from the t-shirt itself. For customized t shirts designed for comfort, this is the course to the "retail feel" clients ask for.
There are two primary families: standard water based and discharge. Standard water based ink works best on white or very light t-shirts. It can cover mid-tones with the right base, once you move into darker materials, you either require a heavier print or you change to release. Release printing utilizes an activator that lifts the color from the material throughout treating, basically whitening the shirt's color in the printed locations, then replaces it with your pigment. The end result is the softest possible print on dark cotton, frequently with exceptional detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks usually contain fewer unpredictable organic substances than solvent-heavy alternatives and avoid PVC entirely. Numerous are compliant with stringent requirements like Oeko-Tex or meet retail screening regimes that prohibit specific phthalates and heavy metals. If you sell customized apparel into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system principle. Ink is one part. You likewise need to take a look at shop practices: purification on your washout cubicle, reclaim chemistry, energy usage on your clothes dryer, and even material sourcing. Discharge requires an activator, normally based on zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation requirements. In a well-run shop, direct exposure is managed and waste is caught. If you're utilizing print as needed with a partner, ask how they manage discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability hides in the details.
Most people do not purchase a graphic tee due to the fact that they enjoy the ink. They purchase it because the garment looks good, feels excellent, and keeps that character after duplicated washing. Water based inks, consisting of discharge, provide you that broken-in convenience from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you often obtain from heavy plastisol when you extend across the chest.
I keep a shelf of comparison shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear clients choose, but the user feedback corresponds: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light shirts, basic water based ink can strike tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different color lots discharge in a different way, even within the very same brand name and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the last color, however you're still dealing with a background that is moving as the color is removed.
That's not a flaw, it becomes part of the medium. Lots of designers welcome the slightly vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand demands laser-precise color recreation for business logo designs, either order test prints on the exact batch you plan to utilize or think about a water based underbase or hybrid approach where needed. For wholesale t shirts that will be dispersed nationally, put swatch approvals into your procedure so there are no surprises at scale.

A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge just raises the cotton portion. That indicates your color fills the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks intentional if you design for it. If your goal is flat, brilliant color on a poly blend, standard plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces joints, folds, and irregular pressure that appear as blank micro-gaps. If you need to print on ended up garments, expect small spaces along joints, which some clients like as part of the garment's character.
Water based inks act in a different way on press. They dry faster in the screen, which is useful on material however can lock a mesh if you pause too long. Running a greater mesh for information, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting service at hand, and keep the print room humidity in a constant range, roughly 45 to 55 percent, to prevent premature drying. Manual press operators will discover how quickly a basic water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and constant speed, reduce clogging.

Curing is where numerous beginners fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with enough airflow makes the distinction. You want even heat across the belt and enough dwell to reach the maker's remedy temperature level throughout the ink layer, not just at the surface area. Shirts exiting the tunnel should be dry to the touch without any cool spots. For discharge, the chemical reaction takes place during this cure, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on appropriate cure and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I measure durability by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual examination for fading and cracking. Water based prints show progressive softening and a gentle fade in the exact same method jeans relaxes. Plastisol's failure mode is different, generally splitting if the ink layer is too thick or under-cured. For customized t-shirts that require to look proficient at a household reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs vary regionally, but the economics fall under familiar patterns. Water based ink itself is typically comparable to plastisol at the gallon level, but you invest more in store environment and drying capacity. On press, water based can be somewhat slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. As soon as tuned, vehicles run at DTF printing similar speeds. Where it truly settles remains in viewed worth. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that requires over night turnaround and art modifications continuously, direct-to-garment or DTF may be much better operationally, though both have their own environmental and feel trade-offs. When you take on wholesale t t-shirts with several colorways and should keep inventory flexible, a versatile water based palette on light garments is efficient, given that you avoid the weight and stiffness that build up with several underbases in plastisol.
Design planning begins with the fabric color and ends with curing. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can fill in with discharge, particularly on high-absorbency cotton. If you require razor unfavorable space, separate the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure print on demand shirts and flashes. Ask your printer for an evidence on the actual garment instead of trusting a digital mockup. A mockup can not capture fiber interplay and dye lift.
There are times I recommend versus discharge. Polyester-rich garments are top of the list. The activator can trigger color migration, specifically with sublimated or cationic-dyed performance shirts, causing ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to small odor throughout curing, discharge days in the store are visible. Well-managed airflow mitigates this, but it is part of the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles frequently sink, and the effect is more satin than true metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that eliminates guesswork. A simple method keeps surprises at bay and assists you hit due dates for launches and events.
Print as needed has its own restrictions: quick art modifications, small batch sizes, and the requirement for a broad color gamut. Direct-to-garment has ended up being the default, but water based screen printing can fit POD if you organize brochure method. For designs that are high volume even at small day-to-day quantities, pre-burning screens and keeping a small stock of popular sizes lets you ship same day with water based prints that feel better than lots of DTG outputs. It works finest when you keep art to a couple of colors and select light garments.
If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Customers who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol job, I discuss what they are buying. They get the soft hand that retail consumers relate with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the distinction for a basic three-color front hit may be modest, frequently a little uplift that can be reduced the effects of by choosing a somewhat more economical blank. If the program is for wholesale t t-shirts going into stores or e-commerce at superior cost points, the improvement in viewed worth more than covers the change.
For customized shirts, such as charity runs or college clubs, options matter. Offer a base price with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Satisfying both lets you serve a broader market without diluting your craft.
Care labels typically check out like legal disclaimers. Keep it easy and practical so the shirt makes it through real life. Water based and discharge prints choose cooler washes and lower dryer heat, but they will endure regular laundering if correctly treated. I suggest phrasing care ideas in human terms on product pages: wash cold with similar colors, tumble dry low, avoid fabric conditioners if you want colors to stay crisp. The last note matters since some conditioners can transfer movies on fibers, dulling the visual contrast of great lines.
I've evaluated these directions in-house: 2 identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed somewhat quicker fading of mid-tones, yet still looked excellent. That tolerance originates from proper cure, not from babying the garment.
All over print catches attention, but printing flood coats on put together garments with water based inks can be unforgiving. Instead of fighting joints, design for them. Usage tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and stitch. Brands that offer limited runs can justify cut-and-sew for 100 to 300 pieces if the style warrants it. The completed garments read as custom-made from a range, which is the goal.

One spring we ran a series for a regional music celebration. The customer wanted soft black tees with a sunburst print that seemed like it resided in the fabric. We tested on three blacks from 2 mills. Batch one lifted easily with discharge, batch two remained stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the reaction. The outcome: consistent tees across 2,400 systems, each with a soft, breathable print that sold out by day two.
That job taught the team to deal with discharge like cooking, not chemistry on a chalkboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink family. Under-curing is the very first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never struck the needed temperature for the ideal period. Utilize a donut probe or an embedded thermochromic strip to measure true ink film temperature, not simply clothes dryer setpoints. Screen lockup is the second. Keep a constant pace on press, flood in between prints, and control shop humidity.
A third risk is overlooking material irregularity. If you change blanks mid-run because a size runs out stock, you may see shifts in color. Build rush t shirt printing contingency into your acquiring. For brand names planning ahead, choosing a basic blank and locking it with your supplier minimizes surprises.
If your top priority is soft, breathable custom clothing that consumers keep wearing, water based inks deserve the learning curve. Usage standard water based on light garments for clean information and matte color. Transfer to release on one hundred percent cotton when you want the softest prints on dark shirts. Accept and plan for small color variation with discharge, particularly across dye lots. For bulk t t-shirt orders, build in a single round of physical tasting on the actual blanks you will utilize, then record your settings and hold back a reference shirt for quality control.
If you run a print as needed catalog, take a water based capsule of finest sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not simply on screens. When a consumer rubs their thumb throughout a print and feels absolutely nothing but fiber, you've won. That's the moment water based and discharge provide, and why they should have a place in any major store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515