Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in consistent stress: the push for softer, more breathable prints that people actually delight in wearing, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has shaped how I pick inks, pretreatments, and fabrics for custom-made garments projects. Throughout the years, I've found out that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce beautiful outcomes and real convenience, especially for T shirt printing that requires to stand up to everyday wear.
If you run a brand name, handle bulk t t-shirt orders, or simply want your customized shirts to feel like a favorite from the very first wash, it deserves comprehending how these ink systems work, where they shine, and where they require care. The best option can make the difference in between a t-shirt that gets used as soon as and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a film, water based inks soak up into the fibers. That single characteristic explains most of the benefits and compromises. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and integrated. On light garments, the hand is frequently identical from the shirt itself. For custom-made t t-shirts developed for convenience, this is the path to the "retail feel" customers ask for.
There are 2 main households: basic water based and discharge. Basic water based ink works best on white or very light t-shirts. It can cover mid-tones with the best base, once you move into darker fabrics, you either need a much heavier print or you switch to release. Release printing utilizes an activator that lifts the dye from the material during curing, basically whitening the shirt's dye in the printed locations, then changes it with your pigment. Completion result no minimum order is the softest possible print on dark cotton, frequently with impressive detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks generally include less unpredictable natural compounds than solvent-heavy alternatives and avoid PVC completely. Many are compliant with stringent standards like Oeko-Tex or meet retail testing regimes that prohibit particular phthalates and heavy metals. If you offer custom garments into business wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You also require to take a look at store practices: filtering on your washout cubicle, reclaim chemistry, energy use on your clothes dryer, and even material sourcing. Discharge requires an activator, usually based on zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation requirements. In a well-run shop, direct exposure is managed and waste is captured. If you're utilizing print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls called in. Genuine sustainability conceals in the details.
Most people do not purchase a graphic tee since they love the ink. They buy it since the garment looks great, feels good, and keeps that character after repeated cleaning. Water based inks, including discharge, give you that broken-in comfort from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes get from heavy plastisol when you stretch across the chest.
I keep a shelf of comparison t-shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under extreme light, which some streetwear customers prefer, however the wearer feedback corresponds: water based seems like a premium garment.
Color precision with water based inks refers control, humidity, and the fabric's own color. On white or heather light t-shirts, basic water based ink can strike tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge includes variables. Various color lots discharge differently, even within the same brand and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, but you're still working with a background that is shifting as the color is removed.
That's not a flaw, it becomes part of the medium. Many designers welcome the somewhat classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand needs laser-precise color recreation for business logo designs, either order test prints on the precise batch you prepare to utilize or consider a water based underbase or hybrid technique where required. For wholesale t shirts that will be distributed nationally, put swatch approvals into your procedure so there are no surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just lifts the cotton part. That implies your color saturates the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks intentional if you design for it. If your goal is flat, vibrant color on a poly blend, conventional plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents joints, folds, and inconsistent pressure that show up as blank micro-gaps. If you must print on finished garments, expect small voids along seams, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry faster in the screen, which is useful on material but can lock a mesh if you pause too long. Running a greater mesh for information, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting service at hand, and keep the print space humidity in a stable variety, approximately 45 to 55 percent, to prevent early drying. Manual press operators will observe how quickly DTG vs screen printing a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant rate, decrease clogging.
Curing is where lots of newbies fizzle. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with enough airflow makes the distinction. You want even heat throughout the belt and enough dwell to reach the producer's cure temperature throughout the ink layer, not simply at the surface area. T-shirts leaving the tunnel ought to be dry to the touch with no cool spots. For discharge, the chain reaction occurs throughout this remedy, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on correct treatment and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and splitting. Water based prints reveal gradual softening and a mild fade in the exact same method denim unwinds. Plastisol's failure mode is various, usually splitting if the ink layer is too thick or under-cured. For personalized t-shirts that need to look proficient at a household reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs vary regionally, but the economics fall into no minimum t shirt printing familiar patterns. Water based ink itself is often equivalent to plastisol at the gallon level, however you invest more in store environment and drying capacity. On press, water based can be slightly slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, vehicles run at similar speeds. Where it actually pays off remains in viewed worth. A soft print on a mid-tier blank frequently feels premium without leaping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print as needed that needs over night turnaround and art changes continuously, direct-to-garment or DTF may be better operationally, though both have their own environmental and feel compromises. When you take on wholesale t shirts with several colorways custom hoodies and tees and should keep inventory versatile, a versatile water based combination on light garments is effective, given that you avoid the weight and tightness that accumulate with multiple underbases in plastisol.
Design planning begins with the material color and ends with treating. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can fill in with discharge, particularly on high-absorbency cotton. If you need razor unfavorable space, different the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of relying on a digital mockup. A mockup can not record fiber interaction and dye lift.
There are times I recommend versus discharge. Polyester-rich garments are top of the list. The activator can cause dye migration, especially with sublimated or cationic-dyed performance shirts, leading to ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to small smell during treating, discharge days in the store are obvious. Well-managed airflow reduces this, however it belongs to the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles frequently sink, and the impact is more satin than real metal. For high-opacity neons on dark shirts that should be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that eliminates uncertainty. An easy technique keeps surprises at bay and assists you struck deadlines for launches and events.
Print on demand has its own constraints: fast art changes, little batch sizes, and the requirement for a broad color range. Direct-to-garment has actually ended up being the default, but water based screen printing can fit POD if you arrange brochure method. For styles that are high volume even at little everyday amounts, pre-burning screens and keeping a little stock of popular sizes lets you deliver very same day with water based prints that feel much better than many DTG outputs. It works best when you keep art to one or two colors and choose light garments.
If your POD design relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Consumers who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol job, I explain what they are purchasing. They get the soft hand that retail customers correspond with quality, improved breathability, and compliance for sensitive purchasers. On a per-shirt basis, the distinction for a basic three-color front hit may be modest, typically a little uplift that can be reduced the effects of by selecting a slightly more affordable blank. If the program is for wholesale t t-shirts entering into stores or e-commerce at superior price points, the enhancement in perceived value more than covers the change.
For individualized t-shirts, such as charity runs or college clubs, options matter. Offer a base rate with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients enhance for expense, others for feel. Satisfying both lets you serve a larger market without diluting your craft.


Care labels often read like legal disclaimers. Keep it simple and practical so the t-shirt endures real life. Water based and discharge prints choose cooler washes and lower dryer heat, but they will withstand normal laundering if effectively cured. I suggest phrasing care suggestions in human terms on product pages: wash cold with comparable colors, topple dry low, avoid material softeners if you desire colors to stay crisp. The last note matters due to the fact that some conditioners can deposit films on fibers, dulling the visual contrast of fine lines.
I've checked these directions in-house: 2 similar t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little quicker fading of mid-tones, yet still looked good. That tolerance comes from proper cure, not from babying the garment.
All over print captures attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Instead of combating joints, design for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and stitch. Brands that offer restricted runs can justify cut-and-sew for 100 to 300 pieces if the style warrants it. The finished garments read as custom-made from a distance, which is the goal.
One spring we ran a series for a regional music celebration. The customer desired soft black tees with a sunburst print that seemed like it lived in the material. We tested on 3 blacks from 2 mills. Batch one lifted easily with discharge, batch two remained stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the reaction. The outcome: consistent tees across 2,400 systems, each with a soft, breathable print that offered out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink family. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the needed temp for the ideal duration. Utilize a donut probe or an ingrained thermochromic strip to determine true ink movie temperature level, not just dryer setpoints. Screen lockup is the second. Keep a constant speed on press, flood between prints, and control shop humidity.
A third pitfall is disregarding material irregularity. If you change blanks mid-run because a size is out of stock, you might see shifts in color. Construct contingency into your acquiring. For brand names planning ahead, choosing a standard blank and locking it with your provider reduces surprises.
If your concern is soft, breathable customized apparel that consumers keep using, water based inks deserve the learning curve. Usage basic water based on light garments for tidy detail and matte color. Transfer to release on one hundred percent cotton when you want the softest prints on dark shirts. Accept and plan for small color variance with discharge, particularly throughout color lots. For bulk t shirt orders, build in a single round of physical sampling on the real blanks you will use, then document your settings and hold back a reference shirt for quality control.
If you run a print as needed brochure, take a water based capsule of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not simply on screens. When a consumer rubs their thumb across a print and feels absolutely nothing however fiber, you have actually won. That's the minute water based and discharge provide, and why they should have a location in any major store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515