Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in continuous tension: the push for softer, more breathable prints that individuals really take pleasure in wearing, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has actually shaped how I select inks, pretreatments, and materials for custom clothing projects. Over the years, I've discovered that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce stunning outcomes and genuine convenience, especially for T shirt printing that needs to stand up to daily wear.
If you run a brand, manage bulk t shirt orders, or merely want your personalized shirts to feel like a preferred from the very first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. The ideal option can make the difference in between a t-shirt that gets worn when and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and cures into a movie, water based inks take in into the fibers. That single characteristic discusses most of the advantages and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently equivalent from the shirt itself. For custom t shirts created for comfort, this is the path to the "retail feel" clients ask for.
There are two main families: basic water based and discharge. Basic water based ink works best on white or very light shirts. It can cover mid-tones with the right base, once you move into darker materials, you either require a heavier print or you change to release. Release printing utilizes an activator that raises the color from the fabric throughout curing, basically whitening the shirt's dye in the printed locations, then changes it with your pigment. Completion outcome is the softest possible print on dark cotton, frequently with impressive detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks typically contain fewer unstable natural substances than solvent-heavy alternatives and avoid PVC altogether. Lots of are compliant with rigorous requirements like Oeko-Tex or meet retail testing programs that prohibit specific phthalates and heavy metals. If you offer custom garments into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system idea. Ink is one part. You likewise require to take a look at store practices: purification on your washout cubicle, recover chemistry, energy use on your dryer, and even material sourcing. Discharge requires an activator, typically based on zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation needs. In a well-run shop, direct exposure is managed and waste is caught. If you're utilizing print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls called in. Real sustainability conceals in the details.
Most people do not purchase a graphic tee due to the fact that they like the ink. They buy it since the garment looks great, feels excellent, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, offer you that broken-in convenience from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often obtain from heavy plastisol when you stretch throughout the chest.
I keep a shelf of comparison shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under severe light, which some streetwear customers choose, however the user feedback is consistent: water based feels like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the fabric's own dye. On white or heather light shirts, basic water based ink can strike tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Various color lots discharge in a different way, even within the very same brand name and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the final color, but you're still dealing design your own shirt with a background that is moving as the dye is removed.
That's not a flaw, it belongs to the medium. Many designers embrace the a little vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color recreation for corporate logos, either order test prints on the precise batch you plan to use or think about a water based underbase or hybrid method where needed. For wholesale t shirts that will be distributed nationally, put swatch approvals into your procedure so there are not a surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge just raises the cotton part. That suggests your color fills the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks intentional if you style for it. If your objective is flat, brilliant color on a poly blend, standard plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents joints, folds, and irregular pressure that appear as blank micro-gaps. If you must print on ended up garments, anticipate small spaces along seams, which some customers like as part of the garment's character.
Water based inks behave differently on press. They dry faster in the screen, which works on material however can lock a mesh if you stop briefly too long. Running a greater mesh for information, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting service at hand, and keep the print room humidity in a stable range, approximately 45 to 55 percent, to avoid early drying. Manual press operators will discover how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant speed, decrease clogging.
Curing is where numerous novices miss the mark. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with enough air flow makes the distinction. You desire even heat across the belt and enough dwell to reach the manufacturer's remedy temperature throughout the ink layer, not simply at the surface. Shirts leaving the tunnel should be dry to the touch with no cool areas. For discharge, the chain reaction occurs during this treatment, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on proper remedy and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I measure toughness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and breaking. Water based prints show progressive softening and a mild fade in the same way jeans unwinds. Plastisol's failure mode is different, typically splitting if the ink layer is too thick or under-cured. For customized shirts that require to look proficient at a family reunion and still be in rotation next summer, water based holds up when produced correctly.
Costs vary regionally, but the economics fall into familiar patterns. Water based ink itself is frequently equivalent to plastisol at the gallon level, but you invest more in shop environment and drying capacity. On press, water based can be slightly slower at setup due to the fact that you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, vehicles perform at comparable speeds. Where it actually settles is in perceived value. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art matches the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that requires over night turnaround and art changes constantly, direct-to-garment or DTF might be better operationally, though both have their own ecological and feel trade-offs. When you take on wholesale t t-shirts with numerous colorways and need to keep stock flexible, a versatile water based palette on light garments is effective, given that you prevent the weight and stiffness that accumulate with numerous underbases in plastisol.
Design preparation begins with the material color and ends with curing. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color peeks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Very thin knockouts inside heavy flood areas can complete with discharge, especially on high-absorbency cotton. If you need razor unfavorable personalized tees space, different the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment rather than trusting a digital mockup. A mockup can not catch fiber interplay and color lift.
There are times I encourage versus discharge. Polyester-rich garments are leading of the list. The activator can trigger dye migration, specifically with sublimated or cationic-dyed performance t-shirts, leading to ghosting or brownish casts. Some garment dyes, especially reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to minor smell throughout curing, discharge days in the shop are visible. Well-managed air flow alleviates this, but it is part of the process.
If a customer needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles often sink, and the effect is more satin than true metal. For high-opacity neons on dark shirts that should be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.

Whether you run your own presses or count on a partner, established a workflow that gets rid of uncertainty. A simple technique keeps surprises at bay and assists you struck due dates for launches and events.
Print on demand has its own restraints: fast art modifications, little batch sizes, and the requirement for a broad color gamut. Direct-to-garment has ended up being the default, but water based screen printing can fit POD if you arrange catalog strategy. For designs that are high volume even at little daily quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver very same day with water based prints that feel better than numerous DTG outputs. It works best when you keep art to a couple of colors and choose light garments.
If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Clients who care about touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol job, I discuss what they are buying. They get the soft hand that retail consumers equate with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the distinction for a standard three-color front hit may be modest, typically a small uplift that can be reduced the effects of by picking a somewhat more cost-effective blank. If the program is for wholesale t t-shirts going into stores or e-commerce at premium cost points, the improvement in perceived value more than covers the change.
For personalized shirts, such as charity runs or college clubs, choices matter. Deal a base rate with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Fulfilling both lets you serve a larger market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it simple and sensible so the t-shirt survives real life. Water based and discharge prints choose cooler washes and lower clothes dryer heat, but they will endure regular laundering if appropriately cured. I recommend phrasing care pointers in human terms on item pages: wash cold with similar colors, tumble dry low, avoid material softeners if you desire colors to remain crisp. The last note matters because some conditioners can deposit films on fibers, dulling the visual contrast of fine lines.
I have actually checked these directions in-house: 2 identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little much faster fading of mid-tones, yet still looked good. That tolerance comes from correct cure, not from babying the garment.
All over print catches attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Rather of battling joints, design for them. Usage tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brands that sell restricted runs can justify cut-and-sew for 100 to 300 pieces if the design necessitates it. The finished garments read as custom from a range, which is the goal.
One spring we ran a series for a regional music celebration. The client desired soft black tees with a sunburst print that seemed like it resided in the fabric. We sampled on three blacks from 2 mills. Batch one raised easily with discharge, batch 2 remained stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The outcome: consistent tees throughout 2,400 units, Heat press vs screen printing each with a soft, breathable print that sold out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the needed temp for the best duration. Use a donut probe or an embedded thermochromic strip to measure real ink film temperature level, not just dryer setpoints. Screen lockup is the 2nd. Keep a constant speed on press, flood in between prints, and control store humidity.
A 3rd pitfall is neglecting material variability. If you change blanks mid-run because a size is out of stock, you might see shifts in color. Develop contingency into your acquiring. For brands planning ahead, picking a standard blank and locking it with your supplier decreases surprises.
If your top priority is soft, breathable customized clothing that customers keep using, water based inks deserve the learning curve. Use standard water based upon light garments for clean information and matte color. Transfer to discharge on 100 percent cotton when you want the softest prints on dark shirts. Accept and prepare for slight color variation with discharge, specifically across dye lots. For bulk t shirt orders, integrate in a single round of physical sampling on the actual blanks you will use, then record your settings and keep back a referral shirt for quality control.
If you operate a print on demand catalog, carve out a water based capsule of finest sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not simply on screens. When a client rubs their thumb across a print and feels absolutely nothing however fiber, you've won. That's the moment water based and discharge deliver, and why they are worthy of a place in any severe shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515