Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in continuous stress: the push for softer, more breathable prints that people really delight in wearing, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has shaped how I select inks, pretreatments, and fabrics for custom-made clothing jobs. For many years, I've learned that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce stunning results and real comfort, especially for T t-shirt printing that requires to withstand everyday wear.
If you run a brand name, manage bulk t t-shirt orders, or simply desire your tailored shirts to feel like a preferred from the very first wash, it deserves comprehending how these ink systems work, where they shine, and where they need care. The right choice can make the distinction in between a shirt that gets used when and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and treatments into a movie, water based inks soak up into the fibers. That single characteristic explains most of the advantages and compromises. Prints feel soft because you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is often indistinguishable from the t-shirt itself. For custom-made t shirts designed for comfort, this is the course to the "retail feel" clients ask for.
There are 2 main families: standard water based and discharge. Standard water based ink works best on white or extremely light t-shirts. It can cover mid-tones with the best base, once you move into darker materials, you either need a heavier print or you change to release. Release printing uses an activator that lifts the color from the material throughout curing, essentially bleaching the shirt's dye in the printed areas, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, often with impressive detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks generally contain fewer unpredictable natural compounds than solvent-heavy options and avoid PVC entirely. Many are compliant with rigorous requirements like Oeko-Tex or satisfy retail testing routines that ban certain phthalates and heavy metals. If you sell customized clothing into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You also need to take a look at store practices: purification on your washout booth, reclaim chemistry, energy use on your dryer, and even fabric sourcing. Discharge requires an activator, usually based on zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation needs. In a well-run shop, exposure is managed and waste is caught. If you're using print on demand with a partner, ask how they manage discharge effluent and whether they have air exchange and curing controls dialed in. Genuine sustainability conceals in the details.
Most people do not purchase a graphic tee since they love the ink. They buy it because the garment looks good, feels great, and keeps that character after duplicated cleaning. Water based inks, consisting of discharge, provide you that broken-in convenience from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes receive from heavy plastisol when you stretch throughout the chest.
I keep a rack of comparison shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed a little, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under severe light, which some streetwear customers choose, however the wearer feedback corresponds: water based feels like a premium garment.

Color accuracy with water based inks is a matter of control, humidity, and the material's own color. On white or heather light shirts, standard water based ink can hit tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Various color lots discharge differently, even within the same brand and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the last color, however you're still working with a background that is shifting as the color is removed.
That's not a flaw, it becomes part of the medium. Numerous designers embrace the a little vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand needs laser-precise color recreation for business logos, either order test prints on the exact batch you plan to use or think about a water based underbase or hybrid technique where needed. For wholesale t shirts that will be distributed nationally, put swatch approvals into your procedure so there are not a surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge only raises the cotton part. That implies your color fills the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks intentional if you style for it. If your goal is flat, vivid color on a poly mix, traditional plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees introduces joints, folds, and inconsistent pressure that appear as blank micro-gaps. If you need to print on ended up garments, expect small voids along joints, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry much faster in the screen, which is useful on material however can lock a mesh if you pause too long. Running a higher mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting service at hand, and keep the print room humidity in a steady range, roughly 45 to 55 percent, to prevent early drying. Manual press operators will notice how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant pace, decrease clogging.
Curing is where many novices miss the mark. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with enough airflow makes the distinction. You want even heat throughout the belt and enough dwell to reach the manufacturer's treatment temperature throughout the ink layer, not just at the surface area. Shirts exiting the tunnel must be dry to the touch with no cool spots. For discharge, the chain reaction takes place during this treatment, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon proper treatment and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and splitting. Water based prints show progressive softening and a gentle fade in the exact same way denim relaxes. Plastisol's failure mode is various, usually breaking if the ink layer is too thick or under-cured. For individualized shirts that require to look good at a family reunion and still be in rotation next summertime, water based holds up when produced correctly.
Costs vary regionally, but the economics fall under familiar patterns. Water based ink itself is often similar to plastisol at the gallon level, however you invest more in store environment and drying capability. On press, water based can be a little slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. As soon as tuned, automobiles run at similar speeds. Where it actually settles remains in viewed worth. A soft print on a mid-tier blank frequently feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art suits the medium, discharge on 100 percent cotton is a workhorse. For print as needed that needs overnight turnaround and art modifications constantly, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel trade-offs. When you take on wholesale t shirts with numerous colorways and must keep inventory flexible, a versatile water based palette on light garments is effective, because you avoid the weight and stiffness that collect with several underbases in plastisol.
Design planning starts with the material color and ends with treating. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can fill out with discharge, especially on high-absorbency cotton. If you need razor negative area, different the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment rather than trusting a digital mockup. A mockup can not catch fiber interplay and dye lift.
There are times I recommend against discharge. Polyester-rich garments are leading of the list. The activator can trigger color migration, specifically with sublimated or cationic-dyed performance shirts, causing ghosting or brownish casts. Some garment dyes, especially reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to small odor throughout curing, discharge days in the shop are obvious. Well-managed air flow mitigates this, but it becomes part of the process.
If a customer requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles typically sink, and the impact is more satin than true metal. For high-opacity neons on dark shirts that must be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.

Whether you run your own presses or count on a partner, established a workflow that gets rid of guesswork. A basic technique keeps surprises at bay and assists you hit deadlines for launches and events.
Print on demand has its own constraints: quick art changes, small batch sizes, and the need for a broad color range. Direct-to-garment has actually ended up being the default, however water based screen printing can fit POD if you arrange brochure method. For designs that are high volume even at small day-to-day amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver exact same day with water based prints that feel much better than many DTG outputs. It works best when you keep art to one or two colors and choose light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Customers who care about touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol job, I explain what they are purchasing. They get the soft hand that retail clients relate with quality, enhanced breathability, and compliance for delicate buyers. On a per-shirt basis, the difference for a basic three-color front hit may be modest, frequently a little uplift that can be neutralized by picking a somewhat more affordable blank. If the program is for wholesale t shirts going into boutiques or e-commerce at exceptional price points, the enhancement in viewed worth more than covers the change.
For customized t-shirts, such as charity runs or college clubs, options matter. Offer a base cost with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients optimize for expense, others for feel. Fulfilling both lets you serve a larger market without diluting your craft.
Care labels often read like legal disclaimers. Keep it simple and reasonable so the t-shirt endures real life. Water based and discharge prints choose cooler washes and lower dryer heat, but they will withstand typical laundering if properly cured. I recommend phrasing care pointers in human terms on item pages: wash cold with similar colors, topple dry low, avoid fabric softeners if you desire colors to stay crisp. The last note matters due to the fact that some softeners can deposit movies on fibers, dulling the visual contrast of great lines.
I've tested these directions in-house: two identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat quicker fading of mid-tones, yet still looked great. That tolerance originates from correct cure, not from babying the garment.
All over print captures attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Rather of combating joints, design for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and sew. Brands that sell restricted runs can justify cut-and-sew for 100 to 300 pieces if the style warrants it. The completed garments check out as customized from a range, which is the goal.
One spring we ran a series Custom apparel printing for a regional music festival. The customer desired soft black tees with a sunburst print that felt like it lived in the material. We tested on 3 blacks from two mills. Batch one lifted easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the art work. We logged color lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the reaction. The result: consistent tees across 2,400 units, each with a soft, breathable print that sold out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most problems I see trace back to process, not the ink family. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temp for the ideal duration. Use a donut probe or an ingrained thermochromic strip to determine real ink film temperature level, not just dryer setpoints. Screen lockup is the second. Keep a constant rate on press, flood in between prints, and control store humidity.
A 3rd risk is overlooking fabric irregularity. If you switch blanks mid-run since a size is out of stock, you may see shifts in color. Develop contingency into your purchasing. For brand names preparing ahead, picking a basic blank and locking it with your provider embroidery hoops and stabilizers lowers surprises.
If your concern is soft, breathable customized garments that customers keep using, water based inks deserve the learning curve. Use standard water based upon light garments for clean information and matte color. Transfer to release on 100 percent cotton when you want the softest prints on dark t-shirts. Accept and prepare for slight color variation with discharge, specifically throughout dye lots. For bulk t shirt orders, integrate in a single round of physical sampling on the real blanks you will use, then document your settings and keep back a recommendation shirt for quality control.
If you operate a print as needed catalog, take a water based pill of finest sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not just on screens. When a consumer rubs their thumb across a print and feels absolutely nothing however fiber, you've won. That's the moment water based and discharge provide, and why they should have a location in any serious store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515