Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in constant tension: the push for softer, more breathable prints that individuals actually take pleasure in using, and the need to produce at scale without compromising the environment or the bottom line. That stress has shaped how I select inks, pretreatments, and fabrics for custom-made clothing jobs. For many years, I've found out that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce stunning outcomes and real comfort, especially for T shirt printing that requires to stand up to daily wear.
If you run a brand, handle bulk t t-shirt orders, or merely desire your customized t-shirts to seem like a favorite from the first wash, it deserves understanding how these ink systems work, where they shine, and where they need care. The ideal option can make the difference between a shirt that gets worn as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and treatments into a film, water based inks take in into the fibers. That single characteristic describes most of the benefits and trade-offs. Prints feel soft since you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently identical from the shirt itself. For customized t shirts designed for convenience, this is the course to the "retail feel" customers ask for.
There are 2 main households: standard water based and discharge. Standard water based ink works best on white or very light shirts. It can cover mid-tones with the ideal base, but once you move into darker materials, you either need a much heavier print or you switch to release. Discharge printing utilizes an activator that lifts the color from the material during treating, essentially bleaching the t-shirt's dye in the printed locations, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, typically with outstanding detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks generally consist of less volatile natural substances than solvent-heavy alternatives and avoid PVC entirely. Many are compliant with stringent requirements like Oeko-Tex or satisfy retail testing programs that prohibit particular phthalates and heavy metals. If you offer customized apparel into corporate health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system idea. Ink is one part. You also need to look at shop practices: filtering on your washout cubicle, recover chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge needs an activator, generally based on zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run store, exposure is managed and waste is recorded. If you're utilizing print as needed with a partner, ask how they manage discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability conceals in the details.
Most individuals do not purchase a graphic tee due to the fact that they enjoy the ink. They buy it since the garment looks great, feels excellent, and keeps that character after repeated washing. Water based inks, consisting of discharge, provide you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you in some cases obtain from heavy plastisol when you stretch throughout the chest.
I keep a shelf of contrast t-shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under extreme light, which some streetwear clients choose, however the wearer feedback is consistent: water based seems like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the material's own color. On white or heather light shirts, basic water based ink can strike tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge includes variables. Various color lots discharge in a different way, even within the same brand and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the last color, however you're still working with a background that is moving as the dye is removed.
That's not a defect, it's part of the medium. Many designers accept the slightly classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand needs laser-precise color reproduction for business logos, either order test prints on the precise batch you prepare to utilize or consider a water based underbase or hybrid method where needed. For wholesale t t-shirts that will be distributed nationally, put swatch approvals into your procedure so there are no surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just lifts the cotton portion. That implies your color fills the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks deliberate if you design for it. If your goal is flat, brilliant color on a poly mix, conventional plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents joints, folds, and irregular pressure that show up as blank micro-gaps. If you need to print on ended up garments, anticipate little spaces along joints, which some clients like as part of the garment's character.
Water based inks behave in a different way on press. They dry much faster in the screen, which works on fabric but can lock a mesh if you pause too long. Running a greater mesh for information, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting solution at hand, and keep the print space humidity in a consistent variety, roughly 45 to 55 percent, to prevent premature drying. Manual press operators will observe how quickly a basic water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and consistent rate, reduce clogging.
Curing is where lots of beginners miss the mark. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with enough air flow makes the difference. You desire even heat across the belt and sufficient dwell to reach the producer's treatment temperature throughout the ink layer, not simply at the surface. direct to garment printing Shirts leaving the tunnel must be dry to the touch with no cool spots. For discharge, the chemical reaction takes place throughout this cure, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends upon appropriate remedy and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual examination for fading and splitting. Water based prints show gradual softening and a gentle fade in the exact same way denim unwinds. Plastisol's failure mode is different, generally cracking if the ink layer is too thick or under-cured. For customized shirts that require to look proficient at a family reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs vary regionally, but the economics fall under familiar patterns. Water based ink itself is typically similar to plastisol at the gallon level, however you invest more in shop environment and drying capability. On press, water based can be slightly slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, vehicles perform at comparable speeds. Where it actually pays off remains in perceived worth. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art suits the medium, discharge on 100 percent cotton is a workhorse. For print on demand that requires over night turn-around and art changes continuously, direct-to-garment or DTF may be better operationally, though both have their own ecological and feel trade-offs. When you take on wholesale t t-shirts with several colorways and must keep inventory versatile, a versatile water based palette on light garments is effective, because you avoid the weight and tightness that collect with numerous underbases in plastisol.
Design preparation starts with the material color and ends with treating. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can fill out with discharge, specifically on high-absorbency cotton. If you require razor negative space, separate the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment instead of relying on a digital mockup. A mockup can not record fiber interaction and color lift.
There are times I advise against discharge. Polyester-rich garments are top of the list. The activator can cause color migration, especially with sublimated or cationic-dyed performance t-shirts, resulting in ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to small smell throughout curing, discharge days in the store are visible. Well-managed air flow alleviates this, but it belongs to the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles typically sink, and the result is more satin than true metal. For high-opacity neons on dark t-shirts that need to be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, set up a workflow that eliminates uncertainty. A simple technique keeps surprises at bay and helps you struck deadlines for launches and events.
Print on demand has its own restraints: fast art modifications, small batch sizes, and the requirement for a broad color gamut. Direct-to-garment has ended up being the default, however water based screen printing can fit POD if you organize brochure method. For styles that are high volume even at little everyday quantities, pre-burning screens and keeping a little stock of popular sizes lets you ship same day with water based prints that feel better than numerous DTG outputs. It works best when you keep art to one or two colors and choose light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who care about touch will notice.
When clients ask why a water based or discharge print costs more than a fundamental plastisol task, I explain what they are purchasing. They get the soft hand that retail clients equate with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, typically a little uplift that can be neutralized by choosing a slightly more affordable blank. If the program is for wholesale t t-shirts entering into shops or e-commerce at premium rate points, the improvement in viewed value more than covers the change.
For individualized t-shirts, such as charity runs or college clubs, choices matter. Offer a base rate with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Satisfying both lets you serve a wider market without diluting your craft.

Care labels typically read like legal disclaimers. Keep it basic and reasonable so the t-shirt makes it through reality. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will withstand regular laundering if effectively cured. I suggest phrasing care tips in human terms on item pages: wash cold with comparable colors, tumble dry low, prevent material conditioners if you want colors to stay crisp. The last note matters since some softeners can deposit movies on fibers, dulling the visual contrast of fine lines.
I've evaluated these directions in-house: two similar shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly quicker fading of mid-tones, yet still looked great. That tolerance originates from proper cure, not from babying the garment.
All over print captures attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Rather of combating joints, design for them. Use tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and stitch. Brands that offer minimal runs can validate cut-and-sew for 100 to 300 pieces if the design warrants it. The ended up garments check out as custom-made from a distance, which is the goal.
One spring we ran a series for a regional music festival. The client wanted soft black tees with a sunburst print that seemed like it lived in the fabric. We tested on three blacks from 2 mills. Batch one lifted easily with discharge, batch two stayed stubbornly dark in the mid-rays of the art work. We logged color lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The outcome: constant tees throughout 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink household. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never struck the needed temperature for the right duration. Use a donut probe or an embedded thermochromic strip to measure true ink film temperature, not just dryer setpoints. Screen lockup is the second. Keep a consistent pace on press, flood in between prints, and control store humidity.
A third risk is neglecting fabric variability. If you switch blanks mid-run since a size runs out stock, you may see shifts in color. Develop contingency into your buying. For brand names preparing ahead, choosing a basic blank and locking it with your supplier decreases surprises.
If your top priority is soft, breathable custom clothing that clients keep wearing, water based inks are worth the learning curve. Usage standard water based on light garments for tidy information and matte color. Transfer to discharge on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and plan for small color difference with discharge, specifically across color lots. For bulk t t-shirt orders, integrate in a single round of physical sampling on the actual blanks you will use, then document your settings and hold back a referral shirt for quality control.
If you operate a print on demand brochure, take a water based pill of best sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not simply on screens. When a client rubs their thumb throughout a print and feels nothing but fiber, you have actually won. That's the moment water based and discharge deliver, and why they should have a location in any major shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515