Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in continuous stress: the push for softer, more breathable prints that people really delight in wearing, and the need to produce at scale without compromising the environment or the bottom line. That tension has shaped how I choose inks, pretreatments, and materials for customized clothing tasks. For many years, I've found out that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce stunning results and genuine convenience, especially for T t-shirt printing that requires to stand up to everyday wear.
If you run a brand, manage bulk t t-shirt orders, or merely want your personalized t-shirts to feel like a favorite from the first wash, it deserves understanding how these ink systems work, where they shine, and where they need care. The best choice can make the difference in between a t-shirt that gets used once and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a film, water based inks absorb into the fibers. That single characteristic explains most of the benefits and trade-offs. Prints feel soft since you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically identical from the t-shirt itself. For custom-made t t-shirts created for comfort, this is the course to the "retail feel" clients ask for.

There are two main households: standard water based and discharge. Standard water based ink works best on white or very light shirts. It can cover mid-tones with the right base, but once you move into darker materials, you either need a much heavier print or you switch to discharge. Release printing uses an activator that raises the color from the fabric throughout treating, essentially bleaching the t-shirt's dye in the printed areas, then changes it with your pigment. Completion result is the softest possible print on dark cotton, frequently with outstanding detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks usually contain less unstable organic compounds than solvent-heavy options and avoid PVC completely. Lots of are compliant with rigorous standards like Oeko-Tex or meet retail testing regimes that prohibit specific phthalates and heavy metals. If you sell custom-made apparel into corporate health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system idea. Ink is one part. You likewise require to look at shop practices: purification on your washout booth, recover chemistry, energy usage on your dryer, and even material sourcing. Discharge requires an activator, typically based on zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run store, direct exposure is controlled and waste is captured. If you're utilizing print on demand with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls called in. Real sustainability custom t shirts hides in the details.
Most individuals do not buy a graphic tee because they like the ink. They purchase it due to the fact that the garment looks great, feels great, and keeps that character after duplicated washing. Water based inks, including discharge, offer you that broken-in convenience from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you in some cases obtain from heavy plastisol when you extend across the chest.
I keep a shelf of contrast shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under harsh light, which some streetwear customers prefer, but the user feedback corresponds: water based feels like a premium garment.
Color precision with water based inks refers control, humidity, and the material's own color. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge adds variables. Different color lots discharge in a different way, even within the design your own t shirt exact same brand name and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the last color, but you're still working with a background that is shifting as the color is removed.
That's not a flaw, it belongs to the medium. Many designers accept the a little classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand needs laser-precise color recreation for corporate logo designs, either order test prints on the exact batch you prepare to utilize or consider a water based underbase or hybrid method where required. For wholesale t shirts that will be distributed nationally, put swatch approvals into your process so there are not a surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge just lifts the cotton part. That means your color saturates the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks deliberate if you design for it. If your objective is flat, vivid color on a poly mix, standard plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents joints, folds, and irregular pressure that show up as blank micro-gaps. If you need to print on ended up garments, expect little spaces along joints, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry much faster in the screen, which works on fabric but can lock a mesh if you pause too long. Running a greater mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting service at hand, and keep the print space humidity in a stable variety, roughly 45 to 55 percent, to prevent premature drying. Manual press operators will see how quickly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and constant pace, lower clogging.

Curing is where numerous newbies fizzle. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with adequate airflow makes the distinction. You want even heat throughout the belt and enough dwell to reach the manufacturer's remedy DTG vs screen printing temperature level throughout the ink layer, not simply at the surface. T-shirts leaving the tunnel needs to be dry to the touch with no cool spots. For discharge, the chemical reaction occurs throughout this cure, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends upon correct treatment and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I determine resilience by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual evaluation for fading and breaking. Water based prints reveal steady softening and a mild fade in the same way denim unwinds. Plastisol's failure mode is different, normally cracking if the ink layer is too thick or under-cured. For personalized shirts that need to look good at a household reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, however the economics fall under familiar patterns. Water based ink itself is often similar to plastisol at the gallon level, but you invest more in store environment and drying capacity. On press, water based can be a little slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, cars perform at similar speeds. Where it actually pays off is in viewed worth. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art fits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs overnight turn-around and art modifications constantly, direct-to-garment or DTF may be better operationally, though both have their own environmental and feel trade-offs. When you take on wholesale t shirts with numerous colorways and should keep stock flexible, a flexible water based combination on light garments is effective, given that you prevent the weight and tightness that collect with multiple underbases in plastisol.
Design planning begins with the fabric color and ends with treating. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color glimpses through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Very thin knockouts inside heavy flood locations can fill out with discharge, particularly on high-absorbency cotton. If you need razor negative area, different the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment rather than trusting a digital mockup. A mockup can not capture fiber interaction and dye lift.
There are times I recommend against discharge. Polyester-rich garments are top of the list. The activator can cause dye migration, especially with sublimated or cationic-dyed efficiency shirts, leading to ghosting or brownish casts. Some garment dyes, specifically reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to minor smell throughout treating, discharge days in the store are noticeable. Well-managed airflow reduces this, but it becomes part of the process.
If a client requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles frequently sink, and the impact is more satin than true metal. For high-opacity neons on dark t-shirts that should be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, set up a workflow that gets rid of uncertainty. A simple method keeps surprises at bay and helps you struck deadlines for launches and events.
Print on demand has its own restrictions: quick art modifications, little batch sizes, and the need for a broad color range. Direct-to-garment has become the default, however water based screen printing can fit POD if you arrange catalog method. For styles that are high volume even at little everyday amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver same day with water based prints that feel much better than lots of DTG outputs. It works best when you keep art to a couple of colors and select light garments.
If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Consumers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol task, I describe what they are buying. They get the soft hand that retail customers relate with quality, enhanced breathability, and compliance for sensitive purchasers. On a per-shirt basis, the difference for a basic three-color front hit might be modest, often a little uplift that can be reduced the effects of by selecting a slightly more affordable blank. If the program is for wholesale t t-shirts entering into stores or e-commerce at superior price points, the improvement in perceived worth more than covers the change.
For customized t-shirts, such as charity runs or college clubs, alternatives matter. Deal a base cost with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Satisfying both lets you serve a larger market without diluting your craft.

Care labels typically check out like legal disclaimers. Keep it easy and sensible so the t-shirt survives real life. Water based and discharge prints choose cooler washes and lower clothes dryer heat, however they will endure typical laundering if effectively treated. I suggest phrasing care tips in human terms on product pages: wash cold with similar colors, topple dry low, prevent material conditioners if you want colors to remain crisp. The last note matters since some softeners can deposit films on fibers, dulling the visual contrast of great lines.
I've evaluated these instructions in-house: two similar shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat quicker fading of mid-tones, yet still looked excellent. That tolerance comes from appropriate treatment, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Instead of battling seams, design for them. Usage tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and sew. Brand names that sell minimal runs can justify cut-and-sew for 100 to 300 pieces if the style requires it. The finished garments check out as customized from a distance, which is the goal.
One spring we ran a series for a local music celebration. The client wanted soft black tees with a sunburst print that felt like it lived in the fabric. We sampled on 3 blacks from 2 mills. Batch one raised easily with discharge, batch two stayed stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The result: consistent tees throughout 2,400 units, each with a soft, breathable print that sold out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to process, not the ink family. Under-curing is the first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temp for the ideal period. Utilize a donut probe or an ingrained thermochromic strip to determine true ink movie temperature, not just dryer setpoints. Screen lockup is the 2nd. Keep a consistent speed on press, flood between prints, and control shop humidity.
A third mistake is overlooking material irregularity. If you change blanks mid-run because a size is out of stock, you might see shifts in color. Develop contingency into your purchasing. For brand names preparing ahead, picking a standard blank and locking it with your logo embroidery provider lowers surprises.
If your top priority is soft, breathable custom-made apparel that consumers keep wearing, water based inks are worth the learning curve. Use standard water based on light garments for tidy detail and matte color. Transfer to release on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and plan for minor color difference with discharge, specifically throughout dye lots. For bulk t shirt orders, build in a single round of physical tasting on the actual blanks you will utilize, then document your settings and keep back a reference shirt for quality control.
If you run a print on demand brochure, carve out a water based capsule of finest sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not just on screens. When a customer rubs their thumb throughout a print and feels nothing however fiber, you have actually won. That's the minute water based and discharge deliver, and why they should have a place in any severe shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515