Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in constant stress: the push for softer, more breathable prints that individuals in fact take pleasure in using, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has formed how I choose inks, pretreatments, and fabrics for custom apparel projects. Over the years, I have actually discovered that water based inks and discharge printing are not just buzzwords, they are practical tools that produce stunning results and genuine comfort, especially for T shirt printing that needs to stand up to everyday wear.
If you run a brand name, handle bulk t t-shirt orders, or merely desire your individualized shirts to feel like a preferred from the first wash, it's worth understanding how these ink systems work, where they shine, and where they require care. The right option can make the difference in between a shirt that gets used once and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the heat transfer vinyl material and remedies into a movie, water based inks take in into the fibers. That single characteristic discusses the majority of the advantages and trade-offs. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is frequently indistinguishable from the t-shirt itself. For customized t shirts designed for convenience, this is the course to the "retail feel" clients ask for.
There are two main families: standard water based and discharge. Standard water based ink works best on white or extremely light t-shirts. It can cover mid-tones with the ideal base, once you move into darker materials, you either need a much heavier print or you switch to release. Release printing utilizes an activator that lifts the color from the material throughout curing, essentially whitening the shirt's color in the printed locations, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, typically with outstanding detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks generally consist of less volatile organic substances than solvent-heavy alternatives and avoid PVC entirely. Numerous are certified with stringent requirements like Oeko-Tex or satisfy retail testing regimes that ban specific phthalates and heavy metals. If you offer custom apparel into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system idea. Ink is one part. You also require to look at shop practices: purification on your washout cubicle, recover chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge requires an activator, typically based on zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation needs. In a well-run store, exposure is managed and waste is captured. If you're using print on demand with a partner, ask how they manage discharge effluent and whether they have air exchange and treating controls called in. Genuine sustainability hides in the details.
Most individuals do not buy a graphic tee due to the fact that they like the ink. They buy it since the garment looks excellent, feels excellent, and keeps that character after repeated cleaning. Water based inks, including discharge, give you that broken-in convenience from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes obtain from heavy plastisol when you stretch throughout the chest.
I keep a rack of contrast t-shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under extreme light, which some streetwear customers choose, however the wearer feedback is consistent: water based feels like a premium garment.
Color precision with water based inks refers control, humidity, and the fabric's own color. On white or heather light t-shirts, standard water based ink can strike tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge adds variables. Various color lots discharge differently, even within the very same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the last color, but you're still dealing with a background that is shifting as the color is removed.
That's not a flaw, it belongs to the medium. Lots of designers welcome the somewhat classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand needs laser-precise color reproduction for corporate logos, either order test prints on the precise batch you plan to utilize or think about a water based underbase or hybrid approach where required. For wholesale t shirts that will be distributed nationally, put example approvals into your process so there are no surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge only raises the cotton portion. That suggests your color fills the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, brilliant color on a poly mix, traditional plastisol or a specialized low-cure system might be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees presents joints, folds, and irregular pressure that show up as blank micro-gaps. If you should print on completed garments, expect little voids along seams, which some clients like as part of the garment's character.
Water based inks behave in a different way on press. They dry faster in the screen, which works on fabric but can lock a mesh if you pause too long. Running a greater mesh for information, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting service at hand, and keep the print room humidity in a consistent variety, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will observe how rapidly a basic water based ink clears the DTG wash durability screen compared to a heavy plastisol. Car presses, with flood bars and consistent pace, minimize clogging.
Curing is where numerous newbies fizzle. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with adequate air flow makes the difference. You want even heat across the belt and adequate dwell to reach the maker's cure temperature level throughout the ink layer, not just at the surface. Shirts leaving the tunnel must be dry to the touch without any cool spots. For discharge, the chemical reaction occurs during this treatment, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends upon appropriate treatment and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I determine resilience by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual examination for fading and breaking. Water based prints reveal steady softening and a mild fade in the exact same method denim unwinds. Plastisol's failure mode is different, typically cracking if the ink layer is too thick or under-cured. For tailored t-shirts that need to look proficient at a household reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs vary regionally, but the economics fall under familiar patterns. Water based ink itself is often equivalent to plastisol at the gallon level, but you invest more in shop environment and drying capacity. On press, water based can be somewhat slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. Once tuned, cars perform at similar speeds. Where it actually settles is in perceived value. A soft print on a mid-tier blank typically feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that needs overnight turnaround and art changes constantly, direct-to-garment or DTF might be better operationally, though both have their own ecological and feel trade-offs. When you handle wholesale t shirts with multiple colorways and must keep stock versatile, a flexible water based combination on light garments is effective, given that you avoid the weight and stiffness that accumulate with multiple underbases in plastisol.
Design preparation begins with the fabric color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color glimpses through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Very thin knockouts inside heavy flood locations can complete with discharge, specifically on high-absorbency cotton. If you need razor negative space, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment rather than relying on a digital mockup. A mockup can not capture fiber interplay and dye lift.
There are times I advise against discharge. Polyester-rich garments are leading of the list. The activator can trigger dye migration, specifically with sublimated or cationic-dyed performance t-shirts, causing ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor smell during curing, discharge days in the shop are obvious. Well-managed airflow alleviates this, but it belongs to the process.
If a customer requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles typically sink, and the result is more satin than true metal. For high-opacity neons on dark t-shirts that should be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that removes guesswork. An easy method keeps surprises at bay and helps you hit deadlines for launches and events.
Print on demand has its own restrictions: fast art modifications, little batch sizes, and the requirement for a broad color range. Direct-to-garment has ended up being the default, but water based screen printing can fit POD if you organize catalog technique. For designs that are high volume even at little daily amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship very same day with water based prints that feel much better than lots of DTG outputs. It works finest when you keep art to one or two colors and select light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Customers who care about touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol job, I explain what they are buying. They get the soft hand that retail clients equate with quality, enhanced breathability, and compliance for sensitive purchasers. On a per-shirt basis, the difference for a basic three-color front hit may be modest, typically a little uplift that can be neutralized by selecting a somewhat more economical blank. If the program is for wholesale t t-shirts entering into shops or e-commerce at superior price points, the enhancement in viewed value more than covers the change.
For customized shirts, such as charity runs or college clubs, choices matter. Offer a base cost with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Meeting both lets you serve a wider market without diluting your craft.
Care labels often check out like legal disclaimers. Keep it basic and reasonable so the t-shirt survives reality. Water based and discharge prints choose cooler washes and lower clothes dryer heat, but they will withstand normal laundering if effectively cured. I suggest phrasing care suggestions in human terms on item pages: wash cold with comparable colors, topple dry low, prevent material conditioners if you desire colors to remain crisp. The last note matters because some conditioners can transfer films on fibers, dulling the visual contrast of fine lines.
I have actually evaluated these instructions in-house: two similar shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed slightly much faster fading of mid-tones, yet still looked good. That tolerance comes from appropriate treatment, not from babying the garment.
All over print catches attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Rather of combating seams, design for Screen reclaiming them. Use tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and stitch. Brand names that sell minimal runs can justify cut-and-sew for 100 to 300 pieces if the style necessitates it. The ended up garments check out as custom from a range, which is the goal.
One spring we ran a series for a regional music celebration. The customer wanted soft black tees with a sunburst print that felt like it lived in the fabric. We tested on 3 blacks from 2 mills. Batch one raised cleanly with discharge, batch two stayed stubbornly dark in the mid-rays of the art work. We logged color lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The result: constant tees across 2,400 systems, each with a soft, breathable print that offered out by day two.
That task taught the team to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, however so does tasting and adjusting.
Most issues I see trace back to process, not the ink household. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the required temp for the right duration. Use a donut probe or an embedded thermochromic strip to measure real ink film temperature level, not just clothes dryer setpoints. Screen lockup is the 2nd. Keep a constant rate on press, flood in between prints, and control store humidity.
A third pitfall is ignoring fabric variability. If you switch blanks mid-run since a size is out of stock, you might see shifts in color. Build contingency into your acquiring. For brand names preparing ahead, picking a basic blank and locking it with your provider decreases surprises.
If your top priority is soft, breathable customized clothing that clients keep wearing, water based inks are worth the learning curve. Usage basic water based on light garments for tidy detail and matte color. Move to release on 100 percent cotton when you desire the softest prints on dark shirts. Accept and prepare for slight color difference with discharge, particularly across color lots. For bulk t shirt orders, integrate in a single round of physical tasting on the real blanks you will use, then record your settings and hold back a recommendation t-shirt for quality control.
If you operate a print as needed catalog, carve out a water based capsule of finest sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not just on screens. When a customer rubs their thumb throughout a print and feels nothing but fiber, you've won. That's the moment water based and discharge provide, and why they should have a place in any major store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515