Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in continuous tension: the push for softer, more breathable prints that people really delight in wearing, and the need to produce at scale without jeopardizing the environment or the bottom line. That stress has formed how I pick inks, pretreatments, and materials for custom-made clothing projects. For many years, I've discovered that water based inks and discharge printing are not just buzzwords, they are practical tools that produce stunning outcomes bulk order embroidery and real convenience, particularly for T shirt printing that needs to stand up to everyday wear.
If you run a brand, handle bulk t t-shirt orders, or just desire your individualized shirts to seem like a favorite from the first wash, it deserves understanding how these ink systems work, where they shine, and where they require care. The ideal option can make the difference between a t-shirt that gets worn once and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a movie, water based inks absorb into the fibers. That single characteristic describes the majority of the benefits and compromises. Prints feel soft because you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently indistinguishable from the t-shirt itself. For customized t t-shirts designed for comfort, this is the course to the "retail feel" clients ask for.
There are 2 primary families: standard water based and discharge. Standard water based ink works best on white or extremely light t-shirts. It can cover mid-tones with the best base, but once you move into darker fabrics, you either need a heavier print or you change to release. Release printing utilizes an activator that raises the color from the fabric during treating, essentially bleaching the shirt's dye in the printed areas, then changes it with your pigment. Completion result is the softest possible print on dark cotton, often with exceptional detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks generally consist of less unstable natural substances than solvent-heavy options and prevent PVC altogether. Lots of are certified with rigorous standards like Oeko-Tex or fulfill retail testing regimes that ban certain phthalates and heavy metals. If you offer custom apparel into business wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You also require to take a look at store practices: filtration on your washout cubicle, reclaim chemistry, energy usage on your dryer, DTF and embroidery combo and even fabric sourcing. Discharge needs an activator, usually based on zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run store, exposure is managed and waste is captured. If you're utilizing print as needed with a partner, ask how they manage discharge effluent and whether they have air exchange and curing controls dialed in. Genuine sustainability conceals in the details.
Most individuals do not purchase a graphic tee since they enjoy the ink. They buy it since the garment looks excellent, feels excellent, and keeps that character after repeated cleaning. Water based inks, including discharge, give you that broken-in convenience from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you often get from heavy plastisol when you stretch throughout the chest.
I keep a rack of contrast t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear clients choose, however the user feedback corresponds: water based seems like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light shirts, basic water based ink can hit tight Pantones with a measured ink mix Heat press vs screen printing and a tidy mesh. On darker cotton, discharge adds variables. Various dye lots discharge differently, even within the very same brand name and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the last color, however you're still working with a background that is shifting as the dye is removed.
That's not a defect, it becomes part of the medium. Numerous designers welcome the slightly vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name needs laser-precise color reproduction for business logos, either order test prints on the exact batch you prepare to utilize or consider a water based underbase or hybrid approach where needed. For wholesale t shirts that will be dispersed nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge only lifts the cotton part. That means your color saturates the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks deliberate if you design for it. If your goal is flat, vibrant color on a poly mix, conventional plastisol or a specialized low-cure system might be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees introduces joints, folds, and irregular pressure that appear as blank micro-gaps. If you should print on completed garments, expect little spaces along joints, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry much faster in the screen, which works on fabric but can lock a mesh if you stop briefly too long. Running a higher mesh for information, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting option at hand, and keep the print space humidity in a consistent range, roughly 45 to 55 percent, to avoid early drying. Manual press operators will discover how quickly a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent pace, lower clogging.
Curing is where many newbies miss the mark. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with adequate air flow makes the difference. You want even heat across the belt and enough dwell to reach the manufacturer's treatment temperature level throughout the ink layer, not simply at the surface area. Shirts leaving the tunnel must be dry to the touch without any cool areas. For discharge, the chemical reaction occurs throughout this cure, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends upon correct remedy and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual examination for fading and breaking. Water based prints reveal gradual softening and a gentle fade in the same method denim relaxes. Plastisol's failure mode is various, generally cracking if the ink layer is too thick or under-cured. For personalized t-shirts that need to look proficient at a family reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is typically equivalent to plastisol at the gallon level, but you invest more in shop environment and drying capability. On press, water based can be slightly slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, vehicles perform at similar speeds. Where it truly pays off remains in perceived value. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print on demand that requires overnight turnaround and art changes continuously, direct-to-garment or DTF might be better operationally, though both have their own environmental and feel trade-offs. When you take on wholesale t shirts with numerous colorways and should keep inventory versatile, a versatile water based palette on light garments is effective, given that you avoid the weight and stiffness that collect with multiple underbases in plastisol.
Design planning begins with the fabric color and ends with curing. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Very thin knockouts inside heavy flood areas can fill out with discharge, particularly on high-absorbency cotton. If you need razor negative space, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment instead of trusting a digital mockup. A mockup can not capture fiber interaction and color lift.
There are times I recommend against discharge. Polyester-rich garments are leading of the list. The activator can cause dye migration, particularly with sublimated or cationic-dyed performance shirts, resulting in ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it embroidery shirts isn't. If a customer is delicate to minor odor during treating, discharge days in the shop are visible. Well-managed airflow alleviates this, however it is part of the process.
If a client requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles frequently sink, and the effect is more satin than real metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that gets rid of uncertainty. A basic technique keeps surprises at bay and helps you struck deadlines for launches and events.
Print as needed has its own constraints: quick art modifications, small batch sizes, and the requirement for a broad color range. Direct-to-garment has actually ended up being the default, but water based screen printing can fit POD if you organize brochure strategy. For designs that are high volume even at small day-to-day quantities, pre-burning screens and keeping a little stock of popular sizes lets you ship exact same day with water based prints that feel much better than many DTG outputs. It works best when you keep art to a couple of colors and choose light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol job, I explain what they are buying. They get the soft hand that retail clients relate with quality, enhanced breathability, and compliance for delicate purchasers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, frequently a small uplift that can be reduced the effects of by choosing a somewhat more economical blank. If the program is for wholesale t t-shirts entering into boutiques or e-commerce at superior cost points, the improvement in perceived value more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, options matter. Deal a base cost with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Satisfying both lets you serve a larger market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it easy and reasonable so the t-shirt survives real life. Water based and discharge prints choose cooler washes and lower dryer heat, but they will endure normal laundering if properly treated. I recommend phrasing care tips in human terms on product pages: wash cold with similar colors, tumble dry low, prevent material softeners if you want colors to stay crisp. The last note matters since some softeners can deposit movies on fibers, dulling the visual contrast of great lines.
I have actually checked these instructions in-house: 2 identical shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat quicker fading of mid-tones, yet still looked great. That tolerance comes from proper cure, not from babying the garment.
All over print captures attention, however printing flood coats on put together garments with water based inks can be unforgiving. Instead of combating joints, style for them. Usage tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and sew. Brand names that sell restricted runs can validate cut-and-sew for 100 to 300 pieces if the design warrants it. The ended up garments check out as custom from a distance, which is the goal.

One spring we ran a series for a local music celebration. The client wanted soft black tees with a sunburst print that seemed like it resided in the material. We sampled on three blacks from two mills. Batch one lifted cleanly with discharge, batch two stayed stubbornly dark in the mid-rays of the art work. We logged color lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by Bella+Canvas t shirts 10 to 15 seconds to finish the reaction. The outcome: constant tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That task taught the crew to treat discharge like cooking, not chemistry on a chalkboard. The recipe matters, however so does tasting and adjusting.
Most problems I see trace back to process, not the ink household. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temperature for the ideal duration. Utilize a donut probe or an ingrained thermochromic strip to measure real ink movie temperature, not simply dryer setpoints. Screen lockup is the 2nd. Keep a constant speed on press, flood between prints, and control store humidity.
A 3rd pitfall is ignoring material irregularity. If you change blanks mid-run because a size runs out stock, you may see shifts in color. Develop contingency into your getting. For brand names preparing ahead, choosing a standard blank and locking it with your supplier lowers surprises.
If your priority is soft, breathable customized apparel that clients keep using, water based inks are worth the learning curve. Usage basic water based upon light garments for tidy detail and matte color. Move to discharge on 100 percent cotton when you desire the softest prints on dark shirts. Accept and plan for minor color variance with discharge, specifically throughout dye lots. For bulk t t-shirt orders, build in a single round of physical tasting on the actual blanks you will utilize, then record your settings and hold back a reference shirt for quality control.
If you run a print on demand catalog, carve out a water based pill of best sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not simply on screens. When a consumer rubs their thumb across a print and feels absolutely nothing however fiber, you've won. That's the moment water based and discharge provide, and why they are worthy of a location in any severe store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515