Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see two things in continuous stress: the push for softer, more breathable prints that people in fact take pleasure in using, and the requirement to produce at scale without compromising the environment or the bottom line. That stress has actually formed how I pick inks, pretreatments, and materials for custom clothing tasks. Over the years, I've learned that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce beautiful outcomes and genuine comfort, specifically for T shirt printing that requires to stand up to daily wear.
If you run a brand, manage bulk t shirt orders, or just want your customized t-shirts to seem like a preferred from the first wash, it deserves understanding how these ink systems work, where they shine, and where they need care. The right option can make the difference in between a t-shirt that gets used as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and cures into a movie, water based inks absorb into the fibers. That single characteristic explains the majority of the benefits and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically equivalent from the t-shirt itself. For custom-made t shirts created for convenience, this is the path to the "retail feel" customers ask for.
There are two main households: standard water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the right base, but once you move into darker fabrics, you either require a heavier print or you change to discharge. Discharge printing utilizes an activator that raises the color from the fabric during curing, essentially whitening the t-shirt's color in the printed areas, then changes it with your pigment. Completion outcome is the softest possible print on dark cotton, often with exceptional detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks normally include less unpredictable natural substances than solvent-heavy alternatives and prevent PVC entirely. Many are compliant with rigorous standards like Oeko-Tex or satisfy retail screening routines that prohibit particular phthalates and heavy metals. If you sell custom-made clothing into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You also require to take a look at shop practices: filtering on your washout booth, reclaim chemistry, energy use on your dryer, and even fabric sourcing. Discharge requires an activator, normally based on zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. In a well-run store, exposure is controlled and waste is caught. If you're utilizing print on demand with a partner, ask how they manage discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability conceals in the details.
Most people do not buy a graphic tee since they like the ink. They buy it because the garment looks great, feels good, and keeps that character after duplicated cleaning. Water based inks, consisting of discharge, give you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you in some cases receive from heavy plastisol when you stretch throughout the chest.
I keep a shelf of comparison shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under harsh light, which some streetwear customers choose, however the user feedback corresponds: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the fabric's own color. On white or heather light shirts, standard water based ink can hit tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge DTG artwork requirements adds variables. Different color lots discharge differently, even within the exact same brand and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the last color, however you're still working with a background that is shifting as the color is removed.
That's not a defect, it belongs to the medium. Numerous designers embrace the slightly classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name needs laser-precise color reproduction for corporate logos, either order test prints on the exact batch you plan to utilize or think about a water based underbase or hybrid technique where needed. For wholesale t shirts that will be distributed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only lifts the cotton part. That indicates your color saturates the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks intentional if you style for it. If your goal is flat, vivid color on a poly blend, traditional plastisol or a specialized low-cure system may be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on ended up garments, anticipate small voids along joints, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry much faster in the screen, which is useful on fabric but can lock a mesh if you pause too long. Running a greater mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print space humidity in a steady variety, approximately 45 to 55 percent, to avoid early drying. Manual press operators will see how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and consistent rate, lower clogging.
Curing is where many beginners fizzle. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with enough airflow makes the difference. You want even heat throughout the belt and adequate dwell to reach the producer's cure temperature throughout the ink layer, not just at the surface area. Shirts leaving the tunnel must be dry to the touch without any cool areas. For discharge, the chain reaction happens throughout this treatment, and you will smell the activator. Great ventilation is non-negotiable.

Durability depends upon appropriate remedy and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I measure durability by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual examination for fading and breaking. Water based prints reveal gradual softening and a gentle fade in the very same method jeans unwinds. Plastisol's failure mode is different, usually cracking if the ink layer is too thick or under-cured. For personalized shirts that need to look proficient at a family reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, however the economics fall under familiar patterns. Water based ink itself is typically equivalent to plastisol at the gallon level, however you invest more in store environment and drying capability. On press, water based can be somewhat slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, vehicles perform at comparable speeds. Where it truly pays off is in perceived worth. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost shirt. Brands can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs overnight turnaround and art modifications continuously, direct-to-garment or DTF may be better operationally, though both have their own ecological and feel compromises. When you handle wholesale t shirts with multiple colorways and should keep stock versatile, a versatile water based combination on light garments is efficient, given that you prevent the weight and tightness that collect with multiple underbases in plastisol.
Design planning starts with the fabric color and ends with curing. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color glances through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can fill out with discharge, particularly on high-absorbency cotton. If you require razor unfavorable space, different the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment rather than trusting a digital mockup. A mockup can not record fiber interaction and color lift.
There are times I encourage against discharge. Polyester-rich garments are top of the list. The activator can trigger dye migration, especially with sublimated or cationic-dyed efficiency t-shirts, leading to ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to small odor throughout treating, discharge days in the shop are obvious. Well-managed airflow mitigates this, however it belongs to the process.
If a client requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles typically sink, and the effect is more satin than real metal. For high-opacity neons on dark t-shirts that should be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that removes uncertainty. A basic technique keeps surprises at bay and assists you struck deadlines for launches and events.
Print as needed has its own constraints: quick art changes, little batch sizes, and the requirement for a broad color range. Direct-to-garment has ended up being the default, however water based screen printing can fit POD if you organize brochure method. For styles that are high volume even at small daily amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship same day with water based prints that feel better than lots of DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Customers who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a fundamental plastisol job, I describe what they are buying. They get the soft hand that retail clients equate with quality, enhanced breathability, and compliance for sensitive purchasers. On a per-shirt basis, the difference for a standard three-color front hit might be modest, frequently a little uplift that can be neutralized by choosing a somewhat more affordable blank. If the program is for wholesale t t-shirts going into boutiques or e-commerce at superior price points, the improvement in viewed worth more than covers the change.
For personalized shirts, such as charity runs or college clubs, choices matter. Deal a base cost with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Satisfying both lets you serve a wider market without diluting your craft.
Care labels typically check out like legal disclaimers. Keep it easy and sensible so the shirt endures real life. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will withstand typical laundering if effectively treated. I suggest phrasing care tips in human terms on product pages: wash cold with comparable colors, tumble dry low, prevent material softeners if you desire colors to remain crisp. The last note matters since some conditioners can transfer films on fibers, dulling the visual contrast of great lines.
I have actually checked these directions in-house: two similar shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed slightly much faster fading of mid-tones, yet still looked great. That tolerance comes from right cure, not from babying the garment.
All over print catches attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Instead of battling joints, design for them. Use tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and stitch. Brand names that sell limited runs can validate cut-and-sew for 100 to 300 pieces if the style warrants it. The completed garments read as custom from a range, which is the goal.
One spring we ran a series for a local music celebration. The customer desired soft black tees with a sunburst print that seemed like it resided in the fabric. We tested on 3 blacks from 2 mills. Batch one raised easily with discharge, batch 2 remained stubbornly dark in the mid-rays of the art work. We logged color lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the reaction. The outcome: constant tees throughout 2,400 units, each with a soft, breathable print that sold out by day two.
That job taught the crew to treat discharge like cooking, not chemistry on a blackboard. The recipe matters, however so does tasting and adjusting.
Most problems I see trace back to process, not the ink family. Under-curing is the first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the required temperature for the ideal period. Use a donut probe or an embedded thermochromic strip to measure real ink film temperature, not just dryer setpoints. Screen lockup is the 2nd. Keep a consistent pace on press, flood between prints, and control shop humidity.
A third pitfall is neglecting material variability. If you switch blanks mid-run because a size runs out stock, you may see shifts in color. Build contingency into your buying. For brands preparing ahead, picking a basic blank and locking it with your supplier reduces surprises.
If your concern is soft, breathable custom-made clothing that clients keep using, water based inks deserve the learning curve. Usage basic water based upon light garments for tidy information and matte color. Relocate to discharge on one hundred percent cotton when you want the softest prints on dark shirts. Accept and prepare for small color difference with discharge, especially throughout color lots. For bulk t t-shirt orders, build in a single round of physical tasting on the real blanks you will use, then record your settings and hold back a recommendation t-shirt for quality control.
If you run a print as needed brochure, carve out a water based pill of best sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not simply on screens. When a customer rubs their thumb throughout a print and feels absolutely nothing however fiber, you've won. That's the moment water based and discharge deliver, and why they are worthy of a location in any major store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515