Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in constant stress: the push for softer, more breathable prints that people in fact take pleasure in using, and the need to produce at scale without compromising the environment or the bottom line. That tension has actually formed how I select inks, pretreatments, and fabrics for custom apparel jobs. Throughout the years, I've learned that water based inks and discharge printing are not just buzzwords, they are useful tools that produce gorgeous outcomes and real convenience, specifically for T shirt printing that needs to stand up to day-to-day wear.
If you run a brand, manage bulk t shirt orders, or simply desire your tailored shirts to feel like a preferred from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they require care. The ideal choice can make the difference in between a shirt that gets used once and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a movie, water based inks absorb into the fibers. That single particular explains the majority of the benefits and trade-offs. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently equivalent from the shirt itself. For custom t shirts designed for convenience, this is the course to the "retail feel" clients ask for.
There are 2 main families: standard water based and discharge. Basic water based ink works best on white or extremely light t-shirts. It can cover mid-tones with the best base, but once you move into darker materials, you either require a much heavier print or you switch to release. Discharge printing uses an activator that raises the color from the fabric during curing, essentially whitening the shirt's dye in the printed locations, then replaces it with your pigment. Completion outcome is the softest possible print on dark cotton, frequently with outstanding detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks typically contain less unstable organic compounds than solvent-heavy options and avoid PVC entirely. Lots of are certified with rigorous standards like Oeko-Tex or fulfill retail testing routines that prohibit particular phthalates and heavy metals. If you offer custom-made garments into corporate health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You also need to take a look at shop practices: filtration on your washout booth, reclaim chemistry, energy usage on your dryer, and even material sourcing. Discharge needs an activator, typically based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. In a well-run store, direct exposure is controlled and waste is caught. If you're utilizing print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls called in. Real sustainability hides in the details.
Most individuals do not buy a graphic tee since they love the ink. They buy it since the garment looks great, feels excellent, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, provide you that broken-in comfort from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you sometimes obtain from heavy plastisol when you extend across the chest.
I keep a rack of comparison shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under extreme light, which some streetwear customers choose, however the user feedback corresponds: water based feels like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge includes variables. Various color lots discharge differently, even within the exact same brand and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the last color, but you're still working with a background that is shifting as the color is removed.
That's not a defect, it's part of the medium. Numerous designers accept the somewhat classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name needs laser-precise color reproduction for corporate logo designs, either order test prints on the precise batch you prepare to use or think about a water based underbase or hybrid technique where required. For wholesale t t-shirts that will be distributed nationally, put swatch approvals into your procedure so there are not a surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only raises the cotton portion. That indicates your color saturates the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks deliberate if you style for it. If your goal is flat, vibrant color on a poly blend, traditional plastisol or a specialized low-cure system might be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents seams, folds, and irregular pressure that appear as blank micro-gaps. If you must print on finished garments, anticipate little voids along joints, which some customers like as part of the garment's character.
Water based inks act differently on press. They dry quicker in the screen, which is useful on material however can lock a mesh if you pause too long. Running a greater mesh for information, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting option at hand, and keep the print room humidity in a constant range, roughly 45 to 55 percent, to prevent premature drying. Manual press operators will discover how quickly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent speed, reduce clogging.
Curing is where numerous beginners fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with adequate air flow makes the distinction. You want even heat throughout the belt and adequate dwell to reach the maker's cure temperature throughout the ink layer, not simply at the surface area. Shirts exiting the tunnel ought to be dry to the touch without any cool areas. For discharge, the chain reaction happens during this remedy, and you will smell the activator. Good ventilation is non-negotiable.
 
 
Durability depends upon appropriate remedy and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I measure durability by standardized wash tests, 10 to 20 order custom t shirts Jacksonville cycles at warm, tumble dry medium, then visual examination for fading and breaking. Water based prints show gradual softening and a gentle fade in the very same way jeans unwinds. Plastisol's failure mode is different, typically splitting if the ink layer is too thick or under-cured. For personalized t-shirts that need to look good at a family reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is typically equivalent to plastisol at the gallon level, but you invest more in store environment and drying capacity. On press, water based can be slightly slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, automobiles perform at similar speeds. Where it really settles is in viewed worth. A soft print on a mid-tier blank typically feels premium without leaping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art matches the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs over night turnaround and art changes continuously, direct-to-garment or DTF may be much better operationally, though both have their own ecological and feel compromises. When you handle wholesale t shirts with numerous colorways and must keep inventory flexible, a versatile water based combination on light garments is efficient, since you avoid the weight and stiffness that collect with numerous underbases in plastisol.
Design planning begins with the material color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Very thin knockouts inside heavy flood locations can fill out with discharge, particularly on high-absorbency cotton. If you need razor negative area, separate the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment rather than relying on a digital mockup. A mockup can not catch fiber interaction and dye lift.
There are times I recommend against discharge. Polyester-rich garments are top of the list. The activator can cause dye migration, specifically with sublimated or cationic-dyed performance shirts, causing ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to minor odor throughout curing, discharge days in the store are obvious. Well-managed airflow alleviates this, but it becomes part of the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles frequently sink, and the impact is more satin than real metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that gets rid of uncertainty. A simple technique keeps surprises at bay and assists you struck deadlines for launches and events.
Print as needed has its own restrictions: fast art changes, small batch sizes, and the need for a broad color range. Direct-to-garment has ended up being the default, however water based screen printing can fit POD if you organize brochure method. For styles that are high volume even at small day-to-day quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver very same day with water based prints that feel better than many DTG outputs. It works best when you keep art to a couple of colors and select light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Clients who care about touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol task, I explain what they are purchasing. They get the soft hand that retail consumers equate with quality, improved breathability, and compliance for sensitive buyers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, often a little uplift that can be neutralized by choosing a somewhat more affordable blank. If the program is for wholesale t t-shirts going into boutiques or e-commerce at exceptional price points, the improvement in viewed worth more than covers the change.
For personalized shirts, such as charity runs or college clubs, alternatives matter. Offer a base rate with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Fulfilling both lets you serve a wider market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it simple and practical so the t-shirt makes it through reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, however they will endure regular laundering if properly cured. I recommend phrasing care pointers in human terms on item pages: wash cold with comparable colors, tumble dry low, prevent material conditioners if you want colors to stay crisp. The last note matters because some conditioners can transfer movies on fibers, dulling the visual contrast of great lines.
I have actually checked these instructions in-house: 2 similar t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little faster fading of mid-tones, yet still looked good. That tolerance originates from appropriate remedy, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Rather of combating joints, design for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brands that sell minimal runs can justify cut-and-sew for 100 to 300 pieces if the design requires it. The finished garments read as custom from a distance, which is the goal.
One spring we ran a series for a local music festival. The customer wanted soft black tees with a sunburst print that seemed like it resided in the material. We tested on three blacks from 2 mills. Batch one lifted easily with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the reaction. The result: constant tees across 2,400 systems, each with a soft, breathable print that sold out by day two.
That task taught the crew to deal with discharge like custom t shirts in Jacksonville cooking, not chemistry on a blackboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink household. Under-curing is the very first culprit. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temperature for the ideal duration. Use a donut probe or an ingrained thermochromic strip to determine real ink movie temperature level, not simply clothes dryer setpoints. Screen lockup is the second. Keep a consistent pace on press, flood in between prints, and control shop humidity.
A third risk is ignoring fabric variability. If you switch blanks mid-run since a size is out of stock, you might see shifts in color. Construct contingency into your acquiring. For brand names planning ahead, choosing a basic blank and locking it with your provider lowers surprises.
If your top priority is soft, breathable custom-made garments that clients keep using, water based inks deserve the learning curve. Usage standard water based on light garments for clean information and matte color. Transfer to release on 100 percent cotton when you want the softest prints on dark shirts. Accept and plan for small color difference with discharge, especially across color lots. For design Jacksonville Custom t shirts bulk t t-shirt orders, integrate in a single round of physical tasting on the real blanks you will utilize, then record your settings and keep back a reference t-shirt for quality control.
If you run a print on demand catalog, take a water based capsule of best sellers on light shirts. Market Jacksonville Custom t shirts deals the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not simply on screens. When a consumer rubs their thumb across a print and feels absolutely nothing but fiber, you have actually won. That's the minute water based and discharge deliver, and why they deserve a place in any serious store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515