Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in consistent stress: the push for softer, more breathable prints that individuals actually delight in using, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That stress has shaped how I select inks, pretreatments, and materials for customized garments jobs. Throughout the years, I have actually discovered that water based inks and discharge printing are not just buzzwords, they are practical tools that produce stunning results and genuine comfort, particularly for T shirt printing that requires to stand up to everyday wear.
If you run a brand, manage bulk t shirt orders, or merely want your individualized t-shirts to feel like a preferred from the first wash, it deserves understanding how these ink systems work, where they shine, and where they require care. The right option can make the difference between a shirt that gets worn as soon as and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a movie, water based inks absorb into the fibers. That single characteristic describes the majority of the advantages and trade-offs. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often indistinguishable from the shirt itself. For custom t shirts designed for convenience, this is the path to the "retail feel" clients ask for.
There are 2 primary households: standard water based and discharge. Standard water based ink works best on white or very light t-shirts. It can cover mid-tones with the ideal base, but once you move into darker materials, you either need a much heavier print or you change to release. Discharge printing utilizes an activator that raises the color from the material direct to garment throughout treating, essentially whitening the t-shirt's color in the printed locations, then replaces it with your pigment. The end result is the softest possible print on dark cotton, often with exceptional detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks usually include fewer volatile natural compounds than solvent-heavy options and prevent PVC completely. Many are certified with rigorous requirements like Oeko-Tex or fulfill retail testing regimes that ban specific phthalates and heavy metals. If you sell custom apparel into corporate health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You also require to look at store practices: purification on your washout cubicle, reclaim chemistry, energy usage on your clothes dryer, and even material sourcing. Discharge needs an activator, typically based upon zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation requirements. In a well-run store, exposure is controlled and waste is caught. If you're using print on demand with a partner, ask how they deal with discharge effluent and whether they have air exchange and treating controls called in. Genuine sustainability conceals in the details.

Most people do not buy a graphic tee since they like the ink. They buy it due to the fact that the garment looks great, feels great, and keeps that character after duplicated cleaning. Water based inks, including discharge, offer you that broken-in convenience from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you sometimes receive from heavy plastisol when you stretch across the chest.
I keep a rack of contrast t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under harsh light, which some streetwear customers prefer, however the wearer feedback corresponds: water based seems like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the fabric's own color. On white or heather light shirts, standard water based ink can strike tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge includes variables. Various color lots discharge in a different way, even within the same brand name and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the last color, but you're still working with a background that is moving as the dye is removed.
That's not a defect, it's part of the medium. Lots of designers accept the somewhat classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color recreation for corporate logo designs, either order test prints on the precise batch you plan to use or think about a water based underbase or hybrid technique where needed. For wholesale t t-shirts that will be distributed nationally, put swatch approvals into your procedure so there are no surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge only lifts the cotton portion. That indicates your color saturates the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks deliberate if you design for it. If your objective is flat, brilliant color on a poly mix, traditional plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees introduces seams, folds, and irregular pressure that appear as blank micro-gaps. If you need to print on ended up garments, anticipate little spaces along seams, which some clients like as part of the garment's character.
Water based inks behave in a different way on press. They dry much faster in the screen, which works on fabric but can lock a mesh if you stop briefly too long. Running a higher mesh for information, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting solution at hand, and keep the print space humidity in a consistent variety, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will notice how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and constant speed, minimize clogging.
Curing is where numerous novices fizzle. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with sufficient air flow makes the difference. You desire even heat throughout the belt and enough dwell to reach the maker's treatment temperature level throughout the ink layer, not simply at the surface area. T-shirts leaving the tunnel ought to be dry to the touch without any cool spots. For discharge, the chain reaction occurs throughout this cure, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon correct remedy and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual examination for fading and splitting. Water based prints reveal steady softening and a mild fade in the very same method jeans relaxes. Plastisol's failure mode is different, generally breaking if the ink layer is too thick or under-cured. For tailored shirts that require to look good at a family reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs vary regionally, but the economics fall under familiar patterns. Water based ink itself is typically equivalent to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be slightly slower at setup since you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, automobiles perform at similar speeds. Where it actually pays off is in perceived worth. A soft print on a mid-tier blank frequently feels premium without leaping to the highest-cost shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs overnight turnaround and art modifications continuously, direct-to-garment or DTF may be better operationally, though both have their own environmental and feel compromises. When you handle wholesale t t-shirts with numerous colorways and need to keep inventory flexible, a flexible water based combination on light garments is efficient, because you avoid the weight and tightness that build up with several underbases in plastisol.
Design preparation starts with the fabric color and ends with curing. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can fill out with discharge, especially on high-absorbency cotton. If you require razor unfavorable space, different the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment rather than relying on a digital mockup. A mockup can not capture fiber interplay and dye lift.
There are times I recommend against discharge. Polyester-rich garments are top of the list. The activator can trigger dye migration, specifically with sublimated or cationic-dyed efficiency t-shirts, leading to ghosting or brownish casts. Some garment dyes, especially reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to small odor throughout curing, discharge days in the store are visible. Well-managed air flow mitigates this, however it is part of the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles often sink, and the result is more satin than real metal. For high-opacity neons on dark shirts that need to be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, set up a workflow that gets rid of uncertainty. A basic method keeps surprises at bay and assists you hit deadlines for launches and events.
Print on demand has its own constraints: quick art modifications, little batch sizes, and the need for a broad color gamut. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you organize brochure method. For designs that are high volume even at small day-to-day amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship same day with water based prints that feel much better than lots of DTG outputs. It works finest when you keep art to one or two colors and select light garments.

If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Customers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol job, I discuss what they are purchasing. They get the soft hand that retail consumers equate with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the distinction for a standard three-color front hit may be modest, often a small uplift that can be neutralized by selecting a slightly more cost-effective blank. If the program is for wholesale t t-shirts going into boutiques or e-commerce at premium rate points, the enhancement in viewed value more than covers the change.
For individualized t-shirts, such as charity runs or college clubs, options matter. Offer a base price with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Fulfilling both lets you serve a broader market without diluting your craft.
Care labels typically check out like legal disclaimers. Keep it simple and sensible so the t-shirt endures real life. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will sustain regular laundering if correctly treated. I suggest phrasing care ideas in human terms on product pages: wash cold with similar colors, tumble dry low, prevent fabric softeners if you desire colors to remain crisp. The last note matters due to the fact that some conditioners can transfer films on fibers, dulling the visual contrast of great lines.
I have actually evaluated these instructions in-house: 2 identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly quicker fading of mid-tones, yet still looked excellent. That tolerance comes from proper treatment, not from babying the garment.
All over print captures attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Rather of battling joints, style for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and sew. Brand names that sell limited runs can validate cut-and-sew for 100 to 300 pieces if the style necessitates it. The completed garments check out as custom from a distance, which is the goal.
One spring we ran a series for a regional music celebration. The customer desired soft black tees with a sunburst print that seemed like it resided in the fabric. We tested on three blacks from two mills. Batch one lifted easily with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged color lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the response. The result: constant tees across 2,400 systems, each with a soft, breathable print that offered out by day two.
That task taught the crew to treat discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink household. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temp for the best duration. Use a donut probe or an embedded thermochromic strip to measure true ink movie temperature, not simply clothes dryer setpoints. Screen lockup is the second. Keep a consistent rate on press, flood between prints, and control store humidity.
A third mistake is disregarding fabric irregularity. If you change blanks mid-run due to the fact that a size is out of stock, you may see shifts in color. Build contingency into your buying. For brands planning ahead, selecting a basic blank and locking it with your provider minimizes surprises.
If your concern is soft, breathable custom apparel that consumers keep wearing, water based inks are worth the knowing curve. Usage standard water based upon light garments for clean information and matte color. Transfer to release on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and prepare for small color variance with discharge, particularly across color lots. For bulk t t-shirt orders, build in a single round of physical tasting on the actual blanks you will use, then document your settings and keep back a recommendation t-shirt for quality control.
If you run a print as needed catalog, take a water based capsule of finest sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a customer rubs their thumb across a print and feels nothing but fiber, you've won. That's the moment water based and discharge provide, and why they are worthy of a place in any major store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515