Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in constant stress: the push for softer, more breathable prints that people actually delight in using, and the need to produce at scale without jeopardizing the environment or the bottom line. That stress has formed how I select inks, pretreatments, and fabrics for custom-made clothing jobs. Over the years, I've learned that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce stunning results and real convenience, especially for T t-shirt printing that needs to stand up to daily wear.
If you run a brand, manage bulk t shirt orders, or just want your personalized shirts to feel like a favorite from the first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The right option can make the difference between a shirt that gets used once and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a movie, water based inks absorb into the fibers. That single characteristic discusses DTG printer cost most of the advantages and compromises. Prints feel soft because you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is typically indistinguishable from the t-shirt itself. For custom-made t shirts created for convenience, this is the course to the "retail feel" clients ask for.
There are 2 main families: basic water based and discharge. Basic water based ink works best on white or very light t-shirts. It can cover mid-tones with the right base, but once you move into darker fabrics, you either require a much heavier print or you change to discharge. Discharge printing utilizes an activator that raises the dye from the material throughout curing, essentially whitening the t-shirt's dye in the printed locations, then changes it with your pigment. The end outcome is the softest possible print on dark cotton, often with outstanding detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the Minimum order quantity workflow. Water based inks usually contain fewer unstable natural substances than solvent-heavy alternatives and avoid PVC completely. Lots of are certified with rigorous requirements like Oeko-Tex or satisfy retail testing regimes that prohibit certain phthalates and heavy metals. If you offer custom-made clothing into business wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.

That stated, "eco friendly" is a system idea. Ink is one part. You also need to take a look at store practices: filtration on your washout cubicle, recover chemistry, energy use on your clothes dryer, and even material sourcing. Discharge requires an activator, generally based upon zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation requirements. In a well-run store, exposure is controlled and waste is caught. If you're using print on demand with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls called in. Real sustainability conceals in the details.
Most individuals do not buy a graphic tee due to the fact that they enjoy the ink. They purchase it because the garment looks excellent, feels great, and keeps that character after repeated cleaning. Water based inks, including discharge, give you that broken-in comfort from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often obtain from heavy plastisol when you stretch across the chest.
I keep a rack of contrast t-shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under extreme light, which some streetwear clients choose, but the user feedback corresponds: water based seems like a premium garment.
Color precision with water based inks refers control, humidity, and the fabric's own color. On white or heather light shirts, basic water based ink can strike tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge includes variables. Various color lots discharge differently, even within the exact same brand name and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the last color, however you're still dealing with a background that is shifting as the dye is removed.
That's not a flaw, it's part of the medium. Many designers accept the somewhat classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name needs laser-precise color recreation for corporate logos, either order test prints on the exact batch you prepare to use or think about a water based underbase or hybrid method where required. For wholesale t shirts that will be distributed nationally, put swatch approvals into your procedure so there are not a surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only lifts the cotton portion. That indicates your color fills the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks deliberate if you design for it. If your goal is flat, vivid color on a poly mix, standard plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees introduces joints, folds, and inconsistent pressure that appear as blank micro-gaps. If you need to print on finished garments, expect small voids along seams, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry faster in the screen, which is useful on material but can lock a mesh if you pause too long. Running a greater mesh for information, say 230 to 305, keeps DTG t shirts the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting option at hand, and keep the print space humidity in a stable variety, roughly 45 to 55 percent, to avoid premature drying. Manual press operators will observe how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and constant speed, reduce clogging.
Curing is where numerous newbies fizzle. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with sufficient air flow makes the distinction. You desire even heat across the belt and enough dwell to reach the producer's treatment temperature throughout the ink layer, not just at the surface. T-shirts exiting the tunnel needs to be dry to the touch with no cool spots. For discharge, the chain reaction happens throughout this treatment, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon appropriate cure and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual inspection for fading and cracking. Water based prints reveal gradual softening and a mild fade in the exact same method denim unwinds. Plastisol's failure mode is various, generally breaking if the ink layer is too thick or under-cured. For personalized t-shirts that need to look proficient at a household reunion and still be in rotation next summertime, water based holds up when produced correctly.

Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is often comparable to plastisol at the gallon level, however you invest more in shop environment and drying capability. On press, water based can be somewhat slower at setup due to the fact that you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, autos perform at similar speeds. Where it actually settles remains in perceived value. A soft print on a mid-tier blank frequently feels premium without leaping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art suits the medium, discharge on 100 percent cotton is a workhorse. For print as needed that requires overnight custom t shirts turn-around and art changes constantly, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel trade-offs. When you handle wholesale t t-shirts with multiple colorways and need to keep inventory flexible, a flexible water based scheme on light garments is efficient, since you prevent the weight and tightness that accumulate with several underbases in plastisol.
Design planning starts with the material color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Very thin knockouts inside heavy flood locations can fill in with discharge, especially on high-absorbency cotton. If you require razor unfavorable space, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment rather than trusting a digital mockup. A mockup can not record fiber interplay and dye lift.
There are times I encourage versus discharge. Polyester-rich garments are top of the list. The activator can cause color migration, particularly with sublimated or cationic-dyed efficiency t-shirts, causing ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor smell throughout treating, discharge days in the shop are visible. Well-managed air flow alleviates this, however it belongs to the process.
If a customer needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, but vector vs raster for DTG the particles often sink, and the result is more satin than true metal. For high-opacity neons on dark shirts that need to be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that gets rid of guesswork. A simple approach keeps surprises at bay and helps you hit due dates for launches and events.
Print as needed has its own constraints: quick art changes, little batch sizes, and the requirement for a broad color range. Direct-to-garment has become the default, but water based screen printing can fit POD if you organize catalog technique. For designs that are high volume even at little daily amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship very same day with water based prints that feel better than many DTG outputs. It works best when you keep art to a couple of colors and choose light garments.
If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Consumers who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol task, I explain what they are purchasing. They get the soft hand that retail consumers equate with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the difference for a standard three-color front hit might be modest, typically a little uplift that can be neutralized by choosing a somewhat more cost-effective blank. If the program is for wholesale t t-shirts entering into shops or e-commerce at superior price points, the enhancement in viewed value more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, alternatives matter. Deal a base price with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients enhance for expense, others for feel. Satisfying both lets you serve a wider market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it basic and sensible so the t-shirt makes it through reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, but they will withstand regular laundering if appropriately treated. I recommend phrasing care ideas in human terms on item pages: wash cold with comparable colors, topple dry low, avoid fabric softeners if you want colors to remain crisp. The last note matters because some conditioners can transfer movies on fibers, dulling the visual contrast of great lines.
I've evaluated these directions in-house: two identical shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little quicker fading of mid-tones, yet still looked excellent. That tolerance comes from correct treatment, not from babying the garment.
All over print captures attention, but printing flood coats on put together garments with water based inks can be unforgiving. Instead of battling seams, style for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and sew. Brand names that offer restricted runs can validate cut-and-sew for 100 to 300 pieces if the design warrants it. The completed garments check out as custom from a range, which is the goal.
One spring we ran a series for a local music celebration. The client wanted soft black tees with a sunburst print that felt like it lived in the material. We tested on 3 blacks from two mills. Batch one lifted easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the response. The outcome: consistent tees throughout 2,400 units, each with a soft, breathable print that sold out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The dish matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the first offender. Water based ink that feels dry can still be under-cured if the core of the print never hit the needed temperature for the right period. Use a donut probe or an embedded thermochromic strip to determine real ink film temperature level, not just clothes dryer setpoints. Screen lockup is the 2nd. Keep a consistent rate on press, flood in between prints, and control store humidity.
A 3rd mistake is ignoring material variability. If you change blanks mid-run since a size is out of stock, you may see shifts in color. Develop contingency into your acquiring. For brand names preparing ahead, picking a basic blank and locking it with your provider decreases surprises.
If your top priority is soft, breathable custom garments that customers keep using, water based inks deserve the learning curve. Use standard water based on light garments for tidy detail and matte color. Transfer to discharge on one hundred percent cotton when you want the softest prints on dark t-shirts. Accept and prepare for minor color variation with discharge, especially throughout dye lots. For bulk t t-shirt orders, integrate in a single round of physical tasting on the actual blanks you will use, then record your settings and keep back a recommendation shirt for quality control.
If you run a print on demand brochure, take a water based pill of best sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not just on screens. When a client rubs their thumb throughout a print and feels absolutely nothing but fiber, you've won. That's the moment water based and discharge deliver, and why they deserve a place in any serious shop or brand's toolkit.

Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515