Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in consistent tension: the push for softer, more breathable prints that people really take pleasure in wearing, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has formed how I choose inks, pretreatments, and materials for custom-made apparel projects. For many years, I have actually learned that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce stunning outcomes and real convenience, particularly for T shirt printing that requires to withstand everyday wear.
If you run a brand, manage bulk t shirt orders, or just desire your tailored shirts to feel like a favorite from the first wash, it deserves understanding how these ink systems work, where they shine, and where they require care. The best option can make the distinction between a shirt that gets worn once and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a movie, water based inks soak up into the fibers. That single particular explains most of the advantages and compromises. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically equivalent from the shirt itself. For custom t t-shirts designed for comfort, this is the path to the "retail feel" clients ask for.
There are two main households: standard water based and discharge. Standard water based ink works best on white or extremely light shirts. It can cover mid-tones with the right base, once you move into darker materials, you either need a much heavier print or you switch to release. Discharge printing utilizes an activator that lifts the color from the fabric throughout treating, basically bleaching the shirt's color in the printed areas, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, typically with impressive detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks typically contain fewer unstable natural compounds than solvent-heavy alternatives and prevent PVC entirely. Numerous are certified with strict requirements like Oeko-Tex or meet retail testing regimes that prohibit particular phthalates and heavy metals. If you sell custom-made garments into corporate wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You also need to take a look at shop practices: filtering on your washout booth, recover chemistry, energy use on your dryer, and even fabric sourcing. Discharge requires an activator, usually based upon zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run shop, exposure is managed and waste is captured. If you're utilizing print on demand with a partner, ask how they manage discharge effluent and whether they have air exchange and treating controls dialed in. Genuine sustainability hides in the details.
Most individuals do not buy a graphic tee since they like the ink. They buy it since the garment looks good, feels great, and keeps that character after repeated washing. Water based inks, including discharge, give you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you sometimes get from heavy plastisol when you extend throughout the chest.
I keep a shelf of comparison t-shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under extreme light, which some streetwear customers prefer, however the wearer feedback is consistent: water based seems like a premium garment.
Color precision with water based inks refers control, humidity, and the material's own color. On white or heather light shirts, basic water based ink can strike tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge includes variables. Different color lots discharge differently, even within the exact same brand name and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the final color, however you're still dealing with a background that is shifting as the color is removed.
That's not a flaw, it belongs to the medium. Many designers welcome the somewhat classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name needs laser-precise color reproduction for business logo designs, either order test prints on the specific batch you plan to utilize or think about a water based underbase or hybrid method where required. For wholesale t shirts that will be dispersed nationally, put swatch approvals into your procedure so there are not a surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can custom apparel work with water based, however discharge only raises the cotton part. That suggests your color saturates the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks deliberate if you design for it. If your goal is flat, brilliant color on a poly mix, conventional plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents joints, folds, and irregular pressure that show up as blank micro-gaps. If you must print on ended up garments, expect little voids along seams, which some customers like as part of the garment's character.
Water based inks behave differently on press. They dry faster in the screen, which is useful on material but can lock a mesh if you stop briefly too long. Running a greater mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting service at hand, and keep the print room humidity in a consistent variety, approximately 45 to 55 percent, to prevent early drying. Manual press operators will see how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant rate, lower clogging.
Curing is where lots of beginners fizzle. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with adequate airflow makes the difference. You want even heat across the belt and sufficient dwell to reach the maker's cure temperature throughout the ink layer, not just at the surface area. T-shirts exiting the tunnel needs to be dry to the touch without any cool areas. For discharge, the chain reaction takes place during this treatment, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on correct remedy and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual evaluation for fading and breaking. Water based prints show steady softening and a gentle fade in the very same method jeans relaxes. Plastisol's failure mode is different, generally breaking if the ink layer is too thick or under-cured. For personalized shirts that need to look good at a family reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is often equivalent to plastisol at the gallon level, however you invest more in shop environment and drying capacity. On press, water based can be somewhat slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. As soon as tuned, autos run at similar speeds. Where it really settles is in viewed value. A soft print on a mid-tier blank typically feels premium without leaping to the highest-cost shirt. Brand names can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art fits the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that requires over night turnaround and art modifications constantly, direct-to-garment or DTF might be better operationally, though both have their own ecological and feel compromises. When you take on wholesale t t-shirts with several colorways and must keep stock versatile, a flexible water based palette on light garments is efficient, because you avoid the weight and tightness that accumulate with numerous underbases in plastisol.
Design planning starts with the fabric color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color looks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood areas can fill out with discharge, specifically on high-absorbency cotton. If you require razor negative space, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment instead of relying on a digital mockup. A mockup can not catch fiber interplay and color lift.
There are times I recommend against discharge. Polyester-rich garments are top of the list. The activator can trigger color migration, particularly with sublimated or cationic-dyed performance t-shirts, causing ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor odor throughout curing, discharge days in the store are noticeable. Well-managed airflow alleviates this, but it is part of the process.
If a client requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles often sink, and the result is more satin than true metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you might require a water based underbase tuned for opacity or Screen burning a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that gets rid of guesswork. A basic approach keeps surprises at bay and helps you struck deadlines for launches and events.
Print as needed has its own constraints: fast art changes, little batch sizes, and the need for a broad color gamut. Direct-to-garment has ended up being the default, however water based screen printing can fit POD if you arrange catalog technique. For designs that are high volume even at little everyday amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship same day with water based prints that feel much better than numerous DTG outputs. It works finest when you keep art to a couple of colors custom t-shirt printing and select light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Consumers who care about touch will notice.
When clients ask why a water based or discharge print costs more than a fundamental plastisol task, I explain what they are purchasing. They get the soft hand that retail consumers equate with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the distinction for a basic three-color front hit might be modest, frequently a small uplift that can be reduced the effects of by selecting a slightly more affordable blank. If the program is for wholesale t t-shirts going into stores or e-commerce at premium cost points, the enhancement in viewed value more than covers the change.
For customized shirts, such as charity runs or college clubs, choices matter. Deal a base rate with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients enhance for expense, others for feel. Satisfying both lets you serve a wider market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it easy and sensible so the shirt endures reality. Water based and discharge prints choose cooler washes and lower dryer heat, however they will endure normal laundering if effectively treated. I recommend phrasing care ideas in human terms on product pages: wash cold with comparable colors, tumble dry low, avoid material softeners if you desire colors to remain crisp. The last note matters due to the fact that some conditioners can transfer films on fibers, dulling the visual contrast of fine lines.
I have actually checked these instructions in-house: 2 similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed slightly quicker fading of mid-tones, yet still looked excellent. That tolerance originates from right cure, not from babying the garment.

All over print catches attention, but printing flood coats on put together garments with water based inks can be unforgiving. Rather of fighting seams, style for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and stitch. Brand names that sell minimal runs can justify cut-and-sew for 100 to 300 pieces if the style requires it. The finished garments read as custom from a distance, which is the goal.
One spring we ran a series for a regional music celebration. The client wanted soft black tees with a sunburst print that felt like it resided in the fabric. We tested on 3 blacks from two mills. Batch one lifted cleanly with discharge, batch two remained stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the reaction. The outcome: constant tees across 2,400 units, each with a soft, breathable print that sold out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the required temperature for the right duration. Use a donut probe or an ingrained thermochromic strip to determine true ink movie temperature, not just dryer setpoints. Screen lockup is the 2nd. Keep a constant speed on press, flood in between prints, and control store humidity.
A third risk is overlooking fabric variability. If you switch blanks mid-run due to the fact that a size is out of stock, you might see shifts in color. Construct contingency into your buying. For brand names preparing ahead, selecting a standard blank and locking it with your provider reduces surprises.
If your priority is soft, breathable customized garments that consumers keep wearing, water based inks are worth the knowing curve. Use basic water based upon light garments for clean information and matte color. Move to release on one hundred percent cotton when you desire the softest prints on dark shirts. Accept and prepare for slight color difference with discharge, especially throughout dye lots. For bulk t t-shirt orders, build in a single round of physical tasting on the actual blanks you will utilize, then record your settings and keep back a recommendation shirt for quality control.
If you run a print on demand brochure, take a water based pill of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not just on screens. When a consumer rubs their thumb across a print and feels absolutely nothing however fiber, you've won. That's the minute water based and discharge provide, and why they are worthy of a place in any severe shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515