Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in continuous tension: the push for softer, more breathable prints that people actually delight in using, and the need to produce at scale without compromising the environment or the bottom line. That tension has actually formed how I pick inks, pretreatments, and fabrics for custom apparel tasks. Over the years, I have actually discovered that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce beautiful results and genuine convenience, particularly for T t-shirt printing that needs to withstand everyday wear.
If you run a brand name, handle bulk t shirt orders, or simply desire your personalized t-shirts to feel like a preferred from the first wash, it's worth comprehending how these ink systems work, where they shine, and where they require care. The best option High-opacity white ink can make the difference between a t-shirt that gets worn as soon as and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a movie, water based inks absorb into the fibers. That single characteristic describes the majority of the advantages and trade-offs. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often identical from the t-shirt itself. For customized t shirts developed for comfort, this is the path to the "retail feel" customers ask for.
There are 2 main families: standard water based and discharge. Standard water based ink works best on white or extremely light t-shirts. It can cover mid-tones with the ideal base, once you move into darker materials, you either require a much heavier print or you switch to discharge. Discharge printing utilizes an activator that raises the dye from the fabric during curing, essentially bleaching the shirt's dye in the printed locations, then replaces it with your pigment. Completion outcome is the softest possible print on dark cotton, often with outstanding detail.
Eco friendly inks are eco-friendly t shirts not a marketing motto if you unpack the chemistry and the workflow. Water based inks generally consist of fewer volatile natural substances than solvent-heavy alternatives and prevent PVC altogether. Many are certified with strict requirements like Oeko-Tex or fulfill retail testing programs that prohibit specific phthalates and heavy metals. If you offer custom-made apparel into corporate health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system idea. Ink is one part. You likewise require to look at store practices: purification on your washout cubicle, recover chemistry, energy usage on your dryer, and even material sourcing. Discharge needs an activator, typically based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run store, direct exposure is managed and waste is caught. If you're utilizing print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and treating controls dialed in. Real sustainability conceals in the details.
Most people do not buy a graphic tee since they enjoy the ink. They buy it because the garment looks excellent, feels good, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, give you that broken-in convenience from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes obtain from heavy plastisol when you stretch across the chest.
I keep a shelf of comparison t-shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under extreme light, which some streetwear clients prefer, however the user feedback is consistent: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the fabric's own color. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a measured ink mix and a clean mesh. On Screen reclaiming darker cotton, discharge adds variables. Different dye lots discharge in a different way, even within the very same brand name and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the last color, but you're still dealing with a background that is moving as the dye is removed.
That's not a flaw, it's part of the medium. Numerous designers accept the a little vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand demands laser-precise color reproduction for corporate logo designs, either order test prints on the exact batch you prepare to use or think about a water based underbase or hybrid method where needed. For wholesale t shirts that will be dispersed nationally, put example approvals into your process so there are not a surprises at scale.

A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge just lifts the cotton part. That suggests your color fills the cotton while the polyester and rayon remain as-is, often yielding a heathered or speckled print that looks deliberate if you design for it. If your objective is flat, vivid color on a poly mix, standard plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees presents joints, folds, and irregular pressure that show up as blank micro-gaps. If you need to print on ended up garments, expect little spaces along joints, which some customers like as part of the garment's character.
Water based inks behave differently on press. They dry faster in the screen, which works on fabric but can lock a mesh if you pause too long. Running a greater mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print room humidity in a consistent variety, roughly 45 to 55 percent, to avoid early drying. Manual press operators will see how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and constant pace, lower clogging.
Curing is where many novices fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with sufficient air flow makes the distinction. You desire even heat throughout the belt and sufficient dwell to reach the maker's cure temperature level throughout the ink layer, not just at the surface. Shirts exiting the tunnel must CMYK screen printing be dry to the touch without any cool spots. For discharge, the chemical reaction takes place during this cure, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon correct treatment and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I measure sturdiness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual evaluation for fading and cracking. Water based prints show progressive softening and a gentle fade in the same method jeans relaxes. Plastisol's failure mode is various, usually breaking if the ink layer is too thick or under-cured. For individualized shirts that need to look good at a household reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is often similar to plastisol at the gallon level, however you invest more in store environment and drying capacity. On press, water based can be somewhat slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, autos perform at comparable speeds. Where it really settles remains in perceived worth. A soft print on a mid-tier blank typically feels premium without leaping to the highest-cost shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that requires overnight turnaround and art modifications continuously, direct-to-garment or DTF might be better operationally, though both have their own ecological and feel trade-offs. When you take on wholesale t shirts with several colorways and should keep inventory flexible, a flexible water based scheme on light garments is efficient, since you avoid the weight and tightness that build up with numerous underbases in plastisol.
Design planning starts with the fabric color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood areas can fill in with discharge, particularly on high-absorbency cotton. If you require razor negative space, different the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of relying on a digital mockup. A mockup can not catch fiber interaction and dye lift.
There are times I encourage versus discharge. Polyester-rich garments are top of the list. The activator can cause dye migration, specifically with sublimated or cationic-dyed efficiency shirts, causing ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to small odor during treating, discharge days in the store are obvious. Well-managed air flow reduces this, but it becomes part of the process.

If a client needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles typically sink, and the result is more satin than true metal. For high-opacity neons on dark shirts that need to be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, established a workflow that eliminates guesswork. A basic approach keeps surprises at bay and helps you hit deadlines for launches and events.
Print as needed has its own constraints: fast art changes, little batch sizes, and the need for a broad color gamut. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you organize catalog technique. For styles that are high volume even at small everyday amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver exact same day with water based prints that feel much better than lots of DTG outputs. It works best when you keep art to one or two colors and select light garments.
If your POD design relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol job, I describe what they are buying. They get the soft hand that retail clients equate with quality, improved breathability, and compliance for sensitive purchasers. On a per-shirt basis, the difference for a standard three-color front hit might be modest, typically a little uplift that can be neutralized by choosing a slightly more affordable blank. If the program is for wholesale t shirts entering into shops or e-commerce at exceptional cost points, the enhancement in perceived value more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, choices matter. Deal a base cost with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Satisfying both lets you serve a broader market without diluting your craft.
Care labels typically check out like legal disclaimers. Keep it basic and realistic so the shirt endures real life. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will withstand normal laundering if appropriately treated. I suggest phrasing care suggestions in human terms on item pages: wash cold with similar colors, topple dry low, prevent fabric softeners if you want colors to remain crisp. The last note matters since some softeners can transfer movies on fibers, dulling the visual contrast of great lines.
I've evaluated these directions in-house: 2 identical shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little quicker fading of mid-tones, yet still looked excellent. That tolerance originates from right cure, not from babying the garment.
All over print captures attention, but printing flood coats on put together garments with water based inks can be unforgiving. Instead of fighting seams, design for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brands that sell limited runs can validate cut-and-sew for 100 to 300 pieces if the style warrants it. The finished garments check out as customized from a range, which is the goal.

One spring we ran a series for a local music celebration. The client wanted soft black tees with a sunburst print that seemed like it lived in the fabric. We tested on 3 blacks from two mills. Batch one raised easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The result: constant tees throughout 2,400 units, each with a soft, breathable print that sold out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a blackboard. The recipe matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink household. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the required temp for the right duration. Use a donut probe or an ingrained thermochromic strip to measure real ink film temperature level, not simply dryer setpoints. Screen lockup is the second. Keep a consistent pace on press, flood in between prints, and control store humidity.
A 3rd risk is ignoring material irregularity. If you change blanks mid-run since a size is out of stock, you might see shifts in color. Develop contingency into your acquiring. For brand names planning ahead, selecting a basic blank and locking it with your supplier decreases surprises.
If your priority is soft, breathable custom garments that clients keep wearing, water based inks deserve the knowing curve. Usage standard water based upon light garments for clean information and matte color. Transfer to discharge on 100 percent cotton when you want the softest prints on dark t-shirts. Accept and prepare for minor color variation with discharge, especially throughout color lots. For bulk t shirt orders, build in a single round of physical sampling on the real blanks you will utilize, then record your settings and hold back a referral shirt for quality control.
If you run a print as needed brochure, take a water based logo embroidery capsule of finest sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not simply on screens. When a customer rubs their thumb across a print and feels absolutely nothing but fiber, you've won. That's the minute water based and discharge provide, and why they should have a location in any serious store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515